详尽地探析道家审美思想对故宫建筑的影响与制约，得出启示。
Inquiring into Former Imperial Palace influenced and restrained by Taoism aesthetics thoughts, enlightenment is obtained.
笔者认为，道家是中国历史上这种普遍的审美心理主要的哲学思想根源。
In my opinion, Taoism is the philosophical source of the widespread aesthetic mentality in the Chinese history.
中国传统的儒家、道家文化使武术成为最富有民族审美文化特征的传统体育项目。
The traditional Confucianism and Taoism culture of China make Wushu become a traditional sports event peculiar to national aesthetic culture.
对人的社会、自然、精神生命的不同追求，构成了儒家、道家、佛教体育审美价值的不同取向。
The different intentions of Confucianism, Daoism, Buddhism are constituted by the different pursues for social, natural, and spiritual lives.
其审美取向主要体现为“自然天成”四字，其哲学基础差源于道家的“自然现”。
His aesthetic orientation is embodied in 'naturalness 'and his philosophical basis takes its source from Taoist view of nature.
儒学的道德理想、道家的审美追求、禅学的终极关怀构成它的中国形象。
Its Chinese image was formed with the Confucian morality ideal, the Taoistic aesthetic chase and the Buddhist ultimate care.
第三部分主要阐述《林泉高致》中“林泉之心”的美学思想，认为“林泉之心”深受道家思想影响，并具有“自调节审美”的性质。
The Third part mainly elaborate "the heart of Lin Quan" aesthetics thought, which is influenced by Taoism, and has the nature of "self-accommodation ".
因此，中国景观艺术的根本艺术审美法则主要源于道家的“道法自然”。
Therefore, Chinese landscape art of the fundamental aesthetic principles from Taoism major "Imitation of Nature."
在道家崇尚自然的思想影响下，文学理论提倡“自然平淡”，并将“自然”或“素朴”视为审美标准之一。
Under the influence of Taoism AD vocation of nature, nature and wateriness is widely advocated in the theory of and be regarded as one of the aesthetic standard in the theory of literature.
同时，在哲学思想资源方面，儒家道家的自然山水思想对中国山水审美也产生了很大的影响。
At the same time, in the aspect of philosophy thought resources, the Confucianist and Taoism's natural scenery thought esthetic has also had the very tremendous influence on the Chinese scenery.
道家学派理论面对忧患强调“天人合一”和解脱，因而具有浓郁的审美意识倾向。
Because the Taoist theories emphasizes "nature and man to unite as one" and extrication when it faces the disaster, it has a full-bodied tendency of aesthetic consciousness.
前者表现为道家自然主义审美理想与园林“自然”艺术精神的关系；
The former refers to the relationship between the naturalistic and aesthetic ideal of Taoism and one of the artistic spirits of Chinese gardening, Ziran(natural);
“清”作为原始道家哲学和美学的重要概念，演变为广泛的审美标准和审美范畴，则完成于魏晋玄学阶段。
It was in the metaphysics of the Wei and Jin Dynasties that Qing, an important concept of the philosophy and aesthetics of original Taoism, turned to be a general aesthetic standard and category.
其作品中流露的风景自然、人性自然以及对“真”的理论和创作追求，就是对道家崇尚自然的审美理想的继承和整合。
His creates reveal the natural landscape, human nature and the "true" theory and creative pursuit, that is the aesthetic nature of the Taoist ideal of respect for the inheritance and integration.
在终极意义上，审美是一种自我同一性体验。古代中国的道家和禅宗美学是如此，现代西方的马克思美学也是如此。
In the ultimate sense, appreciation of beauty is a kind of experience of transcending limitation, so is the ancient Chinese aesthetics of Dao and Buddhism as well as Western aesthetics of Marxism.
道家特别是庄子因其哲学是从物像自然的本然状态出发，所以认为山水是解放人心人性，审美的结果是“吾丧我”；
There is a quite obvious difference on Nature Esthetics between Taoism and Confucianism. Taoism philosophy depends on reality nature, especially on Zhuangzi"s."
道家特别是庄子因其哲学是从物像自然的本然状态出发，所以认为山水是解放人心人性，审美的结果是“吾丧我”；
There is a quite obvious difference on Nature Esthetics between Taoism and Confucianism. Taoism philosophy depends on reality nature, especially on Zhuangzi"s."
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