工程师马克思是这个奖今年的四个得主之一。在印位于度班加罗尔总部的全球销售服务执行官帕瑞玛•潘迪亚也名列其中。
Marks, the engineer, was among four winners this year. So was Parimal Pandya, a global sales service executive based in Bangalore, India.
梅瑞迪斯(克莱尔的生身母亲)展示她的能力。
Meredith (Claire Bennet's bio mom) shows off her powers to Noah Bennet.
沃尔·托莫里是尼日利亚瑞迪美大学的一位病毒学教授。他说绝大多数的非洲国家都希望摧毁天花病毒。
Oyewale Tomori, a virology professor at Redeemer's University in Nigeria, said most African countries want smallpox destroyed.
在印位于度班加罗尔总部的全球销售服务执行官帕瑞玛•潘迪亚也名列其中。
So was Parimal Pandya, a global sales service executive based in Bangalore, India.
托托瑞勒，博尔特和迪怀尔如此定义非言语传播。
Tortoriello, Blott, and DeWine have defined non-verbal communication as.
“50美元是很多钱啊，那可买三包香烟呢”，现年27岁的布鲁克林居民提瑞尔·道格赫迪（TyrellDougeherty）说，“我肯定会去这些州立公园。”
That’s like three packs of cigarettes, ” said Brooklyn resident Tyrell Dougeherty, 27. “I will definitely go to those state parks.”
迪尔瑞森林清新而美丽。
第一次观看迪尔曼·克瑞恩的110幅摄影作品，给我留下了难以忘怀的印象。
I was impressed with 110 photography works of Tillman Crane when I first saw his exhibition.
迪尔曼·克瑞恩的影像作品传递着作者对自然的敬仰、对现代社会中无常空间及物品的深层审美体验。
Absolutely, his photography works convey admiration and profound aesthetic experience for the nature and variable space and goods in the modern society.
第四单元《华夏的气韵》，展示迪尔曼·克瑞恩在中国拍摄的作品，提供给我们另一种观察中国的视点。
The fourth part the Artistic Conception of Chinese Nation, provides a perspective from Tillman Crane to observe China.
亲眼看过迪尔曼·克瑞恩的铂钯印相原作后，我的策展工作回到数字时代，完全依据于在电脑上阅读他的作品。
Witnessing Tillman Crane's original works of platinum/palladium printing, I get back to my work for digital age, that is, viewing his works totally depending on computer.
勒普·瑞尔乐酒店位于马迪朗葡萄酒产区的中心地带，这里属于法国西南部的上比利牛斯省。
Le Prielle is situated in the heart of the Madiran wine growing area of the Haute Pyrenees in the South West of France.
迪尔曼·克瑞恩的铂钯印相创作是一个完整的系统。
Platinum/palladium printing created by Tillman Crane is an integrated system.
因此，我认为迪尔曼·克瑞恩最有特点、最具美学价值的作品，是他拍摄残败景象，拍摄生活、生产景象的照片。
Therefore, I believe that dilapidated scene, daily life and production taken by Tillman Crane are the most distinctive and of aesthetic value.
光是迪尔曼·克瑞恩影像创作中最主要的语言，他通过光来塑造主体，建构视觉表达的体系。
Light, the most important language of Tillman Crane's creation, is used to mould subject and construct vision expression.
光是迪尔曼·克瑞恩影像创作中最主要的语言，他通过光来塑造主体，建构视觉表达的体系。
Light, the most important language of Tillman Crane's creation, is used to mould subject and construct vision expression.
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