它们的篇法不只是与逻辑和认知相联系的话语规则，本身就是隐喻和象征，是对各自民族文化性格的生动写照。
The differences are not only the discourse rules in relation to the relationship between logic and cognition but also a kind of metaphor and symbol characteristic of their own cultures.
文章的最后一部分则是从叙述方式、象征隐喻等方面来展示在“母亲形象”塑造中一些新的变化与探索。
Last, the end of the thesis introduces the new changes and explorations in figuring the images of mother, such as depiction method, symbology, and metaphor.
现代艺术是崇高的、精英主义的、贵族化的，它通过隐喻、象征、陌生化的手法表达现实，与现实相疏离，造成阅读的困难。
Modern art, that uses metaphorical, symbolic, and ostranenie forms to express feelings, to alienate the reality, so as to make reading difficult, is characteristic of sublime and aristocrats.
分析余华小说中的反讽，隐喻和象征，简化与省略等修辞手法。
This paper analyzes the irony, the metaphor and symbolizing, the simplifying and omitting etc in Yu Hua's novel.
第二个层面分析具体修辞格在余华小说中的延展性运用，即：反讽，隐喻和象征，简化与省略。
The second aspect analyse the malleability of prolonging in Yu Hua's novel of the concrete technique rhetoric is used, namely: to use irony, to use metaphor and symbolization, to simplify and omit.
隐喻的具象性与象征性不断诱导、促使人们思考与探索现象背后的东西，隐喻本身对现实的超越性为人们的思维创造提供了自由空间。
The features of metaphor induce people to think about and explore the back of phenomena, and the transition feature of metaphor provides free room for people's thinking creation.
诗人运用象征隐喻的神话模式，将现实与理想、古代与当代、宗教与异教杂糅在一起，构成了一幅充满艺术想象的虚幻世界。
By using the mythology pattern standing for metaphor, the poet blended reality and ideal, ancient times and modern times, religion and paganism, forming a visionary world full of artistic imagination.
在30年代的电影中，上海租界中的典型公共空间具有隐喻与象征的色彩，成为一座陌生、罪恶的城市。
In the films during that period, the typical public space in the Shanghai concessions had the color of metaphor and symbolism, and Shanghai became a strange and evil city.
毛冬华的这种画面素材选取，具有很强的象征性与隐喻特质，帘子和笼子直接应对了典型的中国古典文化。
The choice of this matter has a powerful symbolism and a character of metaphor. Curtains and cages match the traditional Chinese classical culture directly.
于是，他选择了隐喻的手法，将寓意现实之重的千层乌云与那看似渺小些微的象征性建筑符号融合在一个画面之中。
So, he chooses metaphor, he puts the serious reality in terms of heavy dark clouds and seemingly insignificant tiny symbolic building together in the screen.
于是，他选择了隐喻的手法，将寓意现实之重的千层乌云与那看似渺小些微的象征性建筑符号融合在一个画面之中。
So, he chooses metaphor, he puts the serious reality in terms of heavy dark clouds and seemingly insignificant tiny symbolic building together in the screen.
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