诗言志“具有显性和隐性含义。
中国诗歌历来走的是抒情的道路，“诗言志”一说古已有之。
Traditionally, Chinese poetry is to express the author's emotion, namely, the theory of "poem expressing ideal".
本文对“诗言志”的产生年代、经典化过程和途径进行了论述。
This paper focuses on the background, canonization and ways of the "poem expressing ideal."
“诗言志”是中国诗学的第一个理论命题，对它的研究绕不开它与《尧典》的关系。
The "Ideal in Poems" was the first theoretical proposition in Chinese poetics whose study is closely related to its relation with Yao Dian(or the Chronology of Emperor Yao).
后者着眼于儒家诗学原则的定位，是站在理想层面上阐说“诗言志”——诗歌“应该如何”。
The latter focuses on the positioning of the Confucian poetic principles. It stands at the ideal level to illustrate it what poetry should be.
“不学诗 ，无以言”是孔子对《诗经》实用价值的概括 ，也是对春秋时期四百年赋诗言志的总结。
It is also the summary on the practice of airing ideas by poems during the 400 years of the Spring and Autumn Period.
鲁迅的抒情言志诗是他整个文学创作活动中的一部分，有着独特的审美价值。
Luxun's lyrical poem is a part of his whole literary creation activity, which characterizes unique aesthetic value.
鲁迅的抒情言志诗是他整个文学创作活动中的一部分，有着独特的审美价值。
Luxun's lyrical poem is a part of his whole literary creation activity, which characterizes unique aesthetic value.
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