它的哲学基础，根植于中国诗性智慧的人学本体论追求。
Its philosophical foundation originates from the human ontology of Chinese poetry wisdom.
“诗性智慧”是维柯在《新科学》中提出并论述的核心概念。
"The poetic wisdom" is the core concept that Vico put forward and discussed in the New science.
美学与哲学所关注的想象更多的是一种诗性智慧与诗意生存。
However, imagination that aesthetics and philosophy follow with interest is more like a poetic wisdom and poetical living.
美学学科应有两种不同形态：哲学体系型美学与诗性智慧型美学。
Aesthetics has two modalities, which are the philosophical aesthetics and poetical aesthetics.
以上已说明，诗性智慧理所当然地得到了两种巨大的最主要的赞扬。
We have shown that poetic wisdom justly deserves two great and sovereign tributes.
“天人合一”观既是中国诗性智慧，也是中国文化追求的最高境界。
The attainment of oneness with the universe is not only Chinese poetic wisdom but the optimal plane pursued by Chinese culture.
他认为诗性智慧是人类最初的智慧形态，其以想象的创造为根本特征。
He thought the poetic wisdom is the initial wisdom form of human, the imaginary creation is the basic characteristic.
本文主要探讨诗性智慧的发现、特征，以及它与艺术之间的同源关系。
This article focused on the discovery of poetic wisdom, features, and its homology with the relationship between art.
它的核心概念是诗性思维和诗性智慧，诗与科学之间永恒的张力是其立论基础。
Its essential concept is poetic thinking and poetic wisdom, with the tension between science and poetry as the basis for establishing its theory.
维柯对“诗性智慧”起源与特点的论证为审美思维的起源和特征提供了最初的思路。
His discuss on the origin and characteristic of poetic wisdom enlightened the study of aesthetic thinking.
老庄道学浓厚地赋予了中国传统艺术中诗性智慧以哲思的形上意蕴，奠定了中国艺术的基本精神；
The Fourth part mainly analyzes the basic characteristics of the poetic wisdom of Chinese traditional art: on the art essence, it worships the art spirit of nature;
也就是从大洪水开始，经荷马的童年，从诗性智慧来到玄奥智慧的时代，最后回复到第二个野蛮时代。
That is, from the beginning of the flood, by Homer's childhood, from the poetic to the profound wisdom of the age of wisdom, and finally back to the barbaric era of the second.
美并不是艺术的本质特征，艺术思维方式源于诗性智慧，人类以诗的方式创造了社会，是天生的诗人。
Beauty is not the essential feature of art and the artistic way of thinking roots from the poetic wisdom. The human created the society and they are born poets.
维柯关于“诗性智慧”的研究是极具启发性的，然而受《新科学》所处的时代之影响，它也存在着一些相当严重的问题。
There are some serious problems about the poetic wisdom under the influence of the time in which The NEW SCIENCE was finished though G.
维柯关于“诗性智慧”的研究是极具启发性的，然而受《新科学》所处的时代之影响，它也存在着一些相当严重的问题。
There are some serious problems about the poetic wisdom under the influence of the time in which The NEW SCIENCE was finished though G. Vico's study on the poetic wisdom has greatly inspired us.
维柯大胆地向它提出了挑战，指出了非理性的重要作用，认为人类正是起源于诗性智慧这一非理性的思维方式，在此基础上才形成了后来的理性思维。
However, Vico pointed out the importance of non-rational, and human intelligence originated in the poetic wisdom, and the rational thinking is the basis of the formation of it.
诗性经验思维方式具有经验封闭结构，使经验和传统这两个积极认识元素异化出反智慧的经验引力与传统引力，造成认识因循。
The former can bring about closeness of experience in a easy way and thus the two cognitive elements of experience and tradition may be against wisdom.
这种创造观将诗性置于人类文化创造之本，并强调一种实践智慧，从而为西方思想文化的反思提供了重要的理论资源。
This creativity puts the poetic in the root of human cultural creativity and stresses phronesis, which supplies an important resource of theory to the reflection of western culture and mentality.
吸收了中国传统美学的智慧，力求表现民族化的诗性情怀。
The wisdom of traditional Chinese aesthetics expresses poetic feeling of the nationality.
吸收了中国传统美学的智慧，力求表现民族化的诗性情怀。
The wisdom of traditional Chinese aesthetics expresses poetic feeling of the nationality.
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