虽然许多为学龄前儿童设计的项目主要关注社交和情感因素，但也有一些项目主要为提升认知能力而设置。
While many programs designed for preschoolers focus primarily on social and emotional factors, some are geared mainly toward promoting cognitive gains.
广告的策划和设计人员一直以来相信成功的广告必须是有聪明的创意，并能赢得观众情感上的共鸣。
The creators and designers of ads have long believed that a clever idea or emotional resonance drives an ad’s success.
就像画家用颜料去交流观点和情感。用户体验设计者用技术去帮助人们达成他的目标。
FaucetLike a painter USES paint to communicate concepts and emotions, user experience designers use technology to help people accomplish their goals.
富有传奇色彩的EvaZeisel是位陶瓷设计师，她的作品富有曲线美和并饱含人类情感。
The legendary Eva Zeisel is a ceramics designer whose curvy, sensual pieces bring delight and elegance to tabletops around the world.
住在加利福尼亚的塔斯廷的房屋设计师Mani Behimehr对于Wamu和Wachovia(倒闭)的事情感到很担心。
Mani Behimehr, a home designer living in, California, isn't feeling reassured after what happened to WaMu and Wachovia.
正是技术能力和情感共鸣之间创造性的张力创造出了深度，完成了好的设计。
It is this creation of tension between technical capacity and emotional resonance that creates depth and is the fulfillment of good design.
展示空间中的体验设计是企业、品牌、产品与顾客的生活方式、生活习惯和情感需求紧密联系起来媒介。
The exhibition space is the enterprise experience design, brand, product and customer lifestyles, habits and emotional needs closely linked media.
艺术设计作品是情感和心理的产物。
The art layout work is the emotion and the psychological product.
关于情感，我们在建筑、电影院、舞台和工业设计等学科中可以了解很多这方面的知识。
We can learn a great deal about affect from architecture, the cinema and stage, and industrial design.
本能设计实际上也是为情感设计——在特定情境下引起人们心理和感情上的反应——而不只是美观设计。
Visceral design is actually about designing for affect -that is, eliciting the appropriate psychological or emotional response for a particular context-rather than for aesthetics alone.
本能设计实际上也是为情感设计——在特定情境下引起人们心理和感情上的反应——而不只是美观设计。
Visceral design is actually about designing for affect-that is, eliciting the appropriate psychological or emotional response for a particular context-rather than for aesthetics alone.
关注人类情感和精神层面的东西是景观环境设计的最高境界。
Paying close attention to human being emotion and spirit is the soul in landscape design.
具有良好触觉设计的产品不仅体现了对人生理上的关照，更使人通过触觉体验得到精神上的愉悦和情感上的满足。
The products with good sense of touch not only meet the people's physiological need, but also satisfy their emotion.
并提出宅间环境设计的几种模式：园林模式、主题模式和情感模式。
Propose several kinds of modes of environment design among the residences : Mode of the garden , theme mode and emotion mode.
设计过程是基于情感和理智持续的相互作用。
The design process is based on a constant interplay of feeling and reason.
也就是说服装表演传达的并不仅仅是制作者的思想和情感，而是通过服装表演这种形式传达了设计师和产品的思想情感。
That is not just a fashion show producer to convey the thoughts and feelings, but through the fashion show this form to convey the designer and product thinking and feeling.
产品设计师通过成功的运用人性化的设计语言，从而正确引导人们的生活和情感。
Designer achieves directing life and emotion of the people by means of applying the humanized design language successfully.
有效的品牌设计是关于文化的关联和情感的连接的。
An effective brand design is about cultural connection and emotional relation.
月表的设计在于建立一种于月亮周期和个人情感状态的联系。
Moonwatch has been designed to establish a relationship between the moon cycle and a person's emotional states.
对普通心里学和设计心理学研究对象的探讨可以看出情感对设计行为的影响。
Research of the general psychology and Design Psychology could shows emotion's affection to the behavior of design.
这个专业学习如何创造图像，通过把设计从一个表面转到另一个面来表达观点和情感。
Printmaking majors learn how to create images, often expressing ideas and emotions, by transferring designs from one surface to another.
基于情感体验的设计是一种从产品用户角度出发的设计方法，它主要以满足用户的情感体验和心理感受为目的。
The design based on emotional experience is a design method proceeded from the viewpoint of the product users with the aim of fulfilling the users emotional experience and psychological feelings.
我认为灯光可以影响人的情感和情绪，所以作为一个灯光设计师，如果我的灯具布置出错了，那么整个空间都被灯光毁了。
I also think that light has the power of affecting people's feeling. If I, as a lighting designer, made a wrong decision on the placement of light, the light would ruin all of the given space.
在此基础上，提出了拓扑形态在产品造型设计中运用的方法和途径，并剖析了产品设计中拓扑形态的情感语意和审美意蕴。
On this basis, it proposes used ways and means about topological form, and analyzed emotional semantics and aesthetic implications of topological form in product design.
在此基础上，提出了拓扑形态在产品造型设计中运用的方法和途径，并剖析了产品设计中拓扑形态的情感语意和审美意蕴。
On this basis, it proposes used ways and means about topological form, and analyzed emotional semantics and aesthetic implications of topological form in product design.
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