他们词论最大的共通性在于，都在努力地推尊词体，维护词体高雅的格调。
The largest consistence of their discussion is to respect Ci style, and defend its exquisite style.
本文首先将古诗词中出现的色彩词汇分为非修辞性色彩词与修辞性色彩词，然后结合许渊冲先生的译诗“三美”论来探讨它们在英译中的处理。
The color words in ancient poetry, divided into rhetorical ones and non-rhetorical ones, are explored from the perspective of Xu Yuanchong s theory of Three Beautifulness when translated into English.
论文展示了唐五代北宋词学思想的基本内容：词体特性论、词体功能论、创作主体论、创作论以及词学审美理想。
The thesis has also revealed some basic ideas of those thoughts: the characteristic, functional, subjective and creative theories of Ci, and its aesthetic ideal.
论文展示了唐五代北宋词学思想的基本内容：词体特性论、词体功能论、创作主体论、创作论以及词学审美理想。
The thesis has also revealed some basic ideas of those thoughts: the characteristic, functional, subjective and creative theories of Ci, and its aesthetic ideal.
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