两种视觉观念都可以追溯到柏拉图，柏拉图塑造了两种视觉：“心灵之眼”和肉眼。
The two types of visual concept can be traced back to Plato who created two types of visual: "Spiritual eye" and the naked eye.
它不仅承载、传达观念与信息的重任，而且它的视觉形象也展现着丰富的形式化内涵。
It not only carry, convey ideas and information, and it's the responsibility of the visual image also shows rich formalized connotation.
有序的光影结构及特定的场景营造将某些概念性的视觉表达朝情感与观念的方向发生转移。
Orderly light and shadow structure and the construction of set tableaus move certain conceptual visual expressions in the direction of emotions and ideas.
作为五行学说的衍生物，“五色”观念具有视觉的经验性、宇宙图式的神秘性和作为礼制的权威性。
As a derivative of the five elements of theory, "five color" idea had vision experience, universe diagrammatic mystery and etiquette authoritativeness.
传统造型观念是中国传统艺术的一个重要组成部分，它作为一种民族文化和视觉美感的研究形式，是不容被忽视的。
The traditional modelling idea is a Chinese tradition art important constituent, it took one kind of national culture and the visual esthetic sense research form, is does not allow to neglect.
形象是作为一种审美文化的视觉载体、“观念的外化”，它所描述的不仅局限于形的本身，它在内涵和外延上都要大于“形”。
Aesthetic Culture is the visual image as a vector, "foreign concept", it describes not only the shape itself. denotation and connotation than it should "shape."
行动电话在视觉的观念上被主要地设计，没有考虑盲人的需要或部份看得见。
Mobile phones are designed primarily on visual concepts, without considering the needs of the blind or partially sighted.
期望文章能为关心视觉文化教育的人提供一些观念与思路。
Lastly, we hope this issue can provide some notions and ways of thinking to the people who are concerned about the visual culture education.
但光却成为视觉呈现、意义表达、观念更新时最为重要的因素之一。
But light has become one of the most important factors while visual presentation, meaning expression and concept transformation.
人们在着装时不只是要表现一种视觉效果，还要表现一种生活态度、一种观念和情绪。
People represent not only the vision effect but also a kind of life style, concept and emotion on dressing.
我感兴趣的是观念，而不是视觉的产物。
在技术不再是唯一的前提下，由于材料的介入产生的新观念，最终形成了新的陶瓷视觉语汇。
In the technology is no longer the only prerequisite, because the material involved in the emergence of new ideas, eventually formed a new visual vocabulary of ceramic.
绘画艺术利用两维视觉语言创造出美的特征，从而表达情感和观念。
The art of painting is the expression of ideas and emotions, with the creation of certain aesthetic qualities, in a two-dimensional visual language.
艺术既是个人经验的表达，也是个人观念的视觉述说，也可以说是艺术家面对世界的产物。
Art is not only the expression of personal experience, but also the descriptive vision of personal concept. Furthermore, it is the product of an artist observing and exploring the world.
它的出现给人们带来了不同以往的视觉感受，改变了我们以往的审美习惯和习以为常的艺术观念，为艺术注入新的活力。
Its appearance gave rise to a visual experience different from the past, changing our habits and accustomed to the past, the art of aesthetic concepts, in order to inject new vigor into the arts.
本文从设计观念、材料、视觉、经济、空间秩序几个方面分析了极简主义景观设计的生态学意义。
This paper has analyzed the ecological meaning of minimalism and landscape design in the aspects of design ideas, materials, visualness, economics and spatial order.
他在绘画表达上融合东西方表现主义的特征，对绘画性与观念性的纯视觉美学不断进行探索。
He combines the characteristics of expressionism from both the Oriental and the West, while the exploration of pure visual aesthetics to authenticity and concept of painting never ceases.
这是陈文令的艺术观念核心，即以视觉语言向为观众提供了一种新的观看方式和理解方式。
This is the core of Chen Wenling's artistic concept-to provide a kind of new way of viewing and understanding through visual language.
它在设计创作上所反应出的独特表现力，开拓了视觉艺术的新领域，给人们的审美观念带来了深刻的变革。
Its unique expression on designing, expands new areas of visual arts, brings profound changes to peoples 'aesthetic ideas.
人类获得视觉深度的途径主要有四种，但只有以双目方式才能获得统一的视觉深度观念。
There are four ways for human beings to have visual depth, but the binocular vision is the only way to have the punitive visual depth.
通过观念图形对广告的视觉传达，语言沟通，引导消费，利于竞争等方面的功能进行论述，从而为新形势下广告设计中观念图形的使用提供参考。
Language communication, guiding consumption and benefiting competition, by concept to ads, which gives a reference to the use of concept pictures in AD design in the new situation.
从审美功能上说，要顺应视觉规律与美学观念和民族特点、风俗习惯、地理气候等因素的制约。
From the aesthetic function that should be subordinated to the visual and aesthetic perceptions of the law, humanities, natural and geographical factors.
图书馆的视觉符号正日益深刻地影响着人们的思想观念和行为方式，如何合理应用视觉符号值得图书馆界的思考，随着信息时代的到来，图书馆的视觉符号呈现新的趋势。
The visual symbols of libraries are increasingly profound impact on peoples thinking and behavior patterns, how to be a reasonable application of visual symbols is worthy to be considered by library.
如果把艺术作为图解一个哲学命题或者某种观念的话，这往往会导致视觉艺术的失败，或者说对视觉艺术而言没有太大的意义。
Trying to illustrate a philosophical proposition or an idea tends to result in the failure of visual art, or is of no great significance to visual art.
在视觉上，作品抽象的表现形式似乎近于由线、形、色随机所构成，然而在作品背后的观念上则是丰富、明确而坚实的。
Visually, the abstract presentation may seem randomly composed by lines, shapes and colors, yet the concept behind the works is rich and concrete.
于是，后现代人文学者们有啦本身地一些观念，他们以为幸福是一种觉得，它不是物品也不是文化，能够直不雅到视觉化、听觉化。
So, after the modern literature who have had some of their own point of view, they think happiness is a feeling, it is not is not cultural goods can be intuitive to visual, auditory-based.
高野绫丰富而复杂的视觉语言成功地统合了异想天开的观念和精妙的绘画技巧。
Aya Takano's rich, complex visual language is a successful union of her a sheer imaginative genius matched with her mastery and skill in painting.
当代艺术需要用视觉影像来简化观念，突出观念。
Contemporary art needs to use visual images and film to simplify concepts and allow them to stand out.
当代艺术需要用视觉影像来简化观念，突出观念。
Contemporary art needs to use visual images and film to simplify concepts and allow them to stand out.
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