马尔库塞的美学思想在西方现代美学史上有着重要的地位。
Marcuse's aesthetic ideology has an important place in the history of modern west aesthetics.
但在西方现代美学中，维特根斯坦和伽达默尔分别创制了语言游戏和艺术游戏的概念。
However, Wittgenstein and Gadamer respectively created the notion of "language-game" and "art-game" in western modern aesthetics.
海德格尔美学在存在维度上标志着西方现代美学的完成，而在语言维度上又标志着西方后现代美学的开始。
Heidegger's aesthetics symbolizes the end of modern aesthetics from the view of being and the beginning of post-modern aesthetics from language.
西方现代美学与中国传统美学有惊人的相似之处，追寻一种非概念的、超理性的智慧和人生境界一直是中国古代美学的重要特征之一。
Modern Western aesthetics is surprisingly similar to traditional Chinese aesthetics with non-conceptual, supra-rational wisdom and state of life characterizing the latter.
本书将展示现代艺术的无聊与自负，展现西方世界中美学的贫困。
This book demonstrates the futility and arrogance of modern art and the poverty of aesthetics in the western world.
在这种情况下，可以料想，中国的艺术爱好者和美学爱好者会扪心自问：采纳或者看重现代艺术和西方美学是否合适。
In this situation, it is to be expected that lovers of art and aesthetics in China should ask themselves if it is appropriate to adopt or treat seriously modern art and western aesthetics.
可以说研究康定斯基的抽象绘画理论是开启西方20世纪现代主义绘画美学的钥匙。
We can say that the research of Kandinsky's abstract painting theory is the key to the western 20 century Modernism painting Esthetics.
西方现代哲学、美学发生了由主体性到主体间性的转向，而中国古代哲学、美学本来就是主体间性的。
In modern Western philosophy and aesthetics subjectivity is gradually turning to intersubjectivity. In ancient China philosophy and aesthetics were originally intersubjective.
他不满足于单纯地叙述悲剧情节和塑造悲剧性的人物形象，而是借鉴了西方美学思想和现代创作理念，以艺术的手法完成了对悲剧意识的建构。
He went beyond simply narrating plot or creating tragic characters and artistically constructed tragic consciousness by making use of the western aesthetic thinking and modern creation notion.
莫言是中国传统美学和西方现代写作技巧的感性传承人。
Moyan is the perceptual inheritor of not only Chinese traditional Aesthetics but also western modern writing skills.
本文试图从巴尔丢斯对西方传统艺术的传承和对现代艺术的借鉴两个方面展开论述，揭示出他独特的艺术追求和美学风格。
In this article, we will try to expound the inheritance of western traditional art and reference of the way of modern art in Balthus 'works to reveal his unique art pursuit and aesthetic manner.
不仅如此，作者用东方的语言诠释了西方的古代美学，并将传统形式融入到了现代作品中。
Here however, ancient Western aesthetics have been applied to an Eastern language and traditionally influenced forms created using modern practices.
他们在东西方服饰文化的碰撞与交融中，将传统的东方美学与哲学思想融入到现代服装之中，具有很高的艺术价值。
With the impact and communication of the east and the west fashion culture, they harmonized the traditional oriental aesthetics and philosophy and endued it with highly artistic value.
朱立元：《现代西方美学史》。上海：上海文艺出版社，1993年。
Zhu Liyuan. The History of Modern Western Aesthetics. Shanghai: Shanghai Literature and Art Publishing House, 1993.
他的音乐美学观不但确立了音乐的自主独立性，而且还是西方形式主义批评从传统走向现代之间的桥梁。
His musical aesthetic outlook did not only stablish the independence of music but was considered as a bridge of the Western formalistic criticism between tradition and the modern times.
与传统随笔比较，中国现代随笔出现了在西方现代性特征影响下前所未有的新美学特质。
Compared with traditional writing, Chinese modern writing also bears the unique new esthetics qualities influenced by the Western modern characteristics.
19世纪60年代，后现代美学以西方传统美学的否定者的身份登上历史舞台，对传统美学进行了彻底的颠覆。
In the 1960s, postmodernist aesthetics got on the historical stage in the status of a negator to the Western traditional aesthetics, and totally subverted traditional aesthetics.
中国现代美学经由“心性论”而与传统美学血缘相关，同时也由“心性论”与西方美学相关联。
The thesis upholds that the "disposition" is the joint between modern Chinese aesthetics and the west aesthetics.
现代西方哲学关注生存论，现代西方美学表现为主体间性。
Contemporary western philosophy that concerns the subsistence theory is inter-subjective and contemporary aesthetics is characterized by inter-subjectivity.
迪伦马特吸收了西方现代主义美学思潮中的许多特点，熔铸成自己独特的戏剧艺术与戏剧美学。
In shaping his own theatric art and esthetics, Friedrich Dürrenmatt has learned a lot from the European modernist literature.
作为现代西方美学第一个重要的流派，表现主义美学提出了自己独特的艺术观。
As the first important school of contemporary western aesthetics, expressionist aesthetics holds its own unique views of art.
东西方艺术的广泛交流给后现代艺术与老庄美学带来融会与碰撞的契机。
The broad communion of the eastern and western art gives the post -modernism art and the aesthetics of Lao-zi and Zhuang-zi a chance to fuse and collide .
从鲍姆嘉登开始的西方美学在经历德国古典美学之后开始进入现代时期。
West aesthetics beginning from the time of Baumleden, passing through German classical aesthetics, has stepped into the modern age.
某种程度上可以说，缺乏对狄尔泰美学思想的认识和把握，就不可能正确理解现代西方美学思想和研究的来龙去脉。
To some extent, without Dilthey's understanding of aesthetics, it is impossible to correctly understand the modern western aesthetics and its development.
佛洛伊德主义作为现代文学和美学的一种思潮，对于西方现代作家特别是英国现代主义小说家有着很大的影响。
As a trend of thought of modern literature and aesthetics, Freudianism has a great influence on those modern western writers.
在终极意义上，审美是一种自我同一性体验。古代中国的道家和禅宗美学是如此，现代西方的马克思美学也是如此。
In the ultimate sense, appreciation of beauty is a kind of experience of transcending limitation, so is the ancient Chinese aesthetics of Dao and Buddhism as well as Western aesthetics of Marxism.
百年的中国现代美学史，建构了一个以西方话语为支配地位的美学“大厦”，具有两千多年历史的中国传统美学话语几近凋零。
Chinese contemporary aesthetics has built an "aesthetics building" controlled by western language, the Chinese traditional aesthetics language with more than 2,000 years history is almost fallen.
刘勰《文心雕龙·知音》篇是中国古代较为完整的批评和接受理论，若以现代西方接受美学的视角进行观照，则“知音”批评也是以读者为核心建立起来的批评理论；
The "Zhi Yin"in Liu Xie's Carving a Dragon at the Core of Literature is the more perfect theory of criticism and acceptance in ancient China.
东西方美学观念长久以来都有着很大的差异，但步入近现代以来，东西方艺术审美趣味出现了逆向对流。
There have been great differences between the eastern and western aesthetic values for a long time. But since the modern times, it reversed between the eastern and western artistic aesthetic tastes.
东西方美学观念长久以来都有着很大的差异，但步入近现代以来，东西方艺术审美趣味出现了逆向对流。
There have been great differences between the eastern and western aesthetic values for a long time. But since the modern times, it reversed between the eastern and western artistic aesthetic tastes.
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