尽管有这些表面的相似，这相比她早期的小说是一部更悲观的作品。
Despite these superficial resemblances, this is a darker work than her earlier novels.
每一章结束都有一段对里面动作的简短评论，表面上是一个评论家所写的，但是估计是由作者自己写的，用来增强小说的戏虐式幽默。
Each chapter ends with a short critique of the action, ostensibly by a reviewer but presumably written by the author himself, enhancing the tongue in cheek humour of the novel.
作者石黑一雄，表面上这是一部侦探小说，它给你留下很多疑惑的东西，包括别人对故事叙述者的看法。
By Kazuo Ishiguro. Ostensibly a detective novel, it leaves you wondering about a lot of things, including what others really think of the narrator.
这些问题表面看起来象漏洞，就象电影里的穿帮镜头，而实际上，会让你更加深入到小说的世界里和小说描写的年代中。
These questions -which on the face of it seem like bloopers, as they are called by film buffs -actually invite you further into the world of the novel and the time it was written.
《内心的杀手》也许是汤普森最著名的小说，先前被斯泰西·基齐翻拍过一次，它描述了一个表面温顺实则精神变态的小镇警长。
Filmed once before with Stacy Keach, The Killer Inside Me is perhaps Thompson's best known book, telling the story of a seemingly innocuous smalltown sheriff who hides a psychopathic secret.
1991年，一位美国图书馆员发表了篇题为《纳博科夫的最后一部小说的第一印象》的文学批评，表面上是位瑞士的教授写的，但很快暴露只是一篇漂亮的编造作品。
In 1991, an American librarian published a literary critical essay, apparently by a Swiss professor, entitled "a first look at Nabokov's last novel", which was quickly exposed as a brilliant spoof.
因此，在《老人与海》中，硬汉桑提亚哥的刚毅性格，已经成为小说的表面。
Thus, in the "Hits", the tough-guy character of Santiagos fortitude has become the novels surface.
因此，在《老人与海》中，硬汉桑提亚哥的刚毅性格，已经成为小说的表面。
Therefore, in the novel "the old man and the sea", the fortitude character has become the cover of the novel.
在小说中，我们经常读到一个表面上受人尊重的人物或家庭，却有着某种多年不为人所知的骇人听闻的秘密。
We often read in novels how a seemingly respectable person of family has some terrible secret which has been concealed from strangers for years.
这些《罕见地域和美国表面》里面的照片使人想起了小说家瑞曼得。卡沃在他的抽象散文中描写的悲伤的，看不到边的内陆。
The photographs in Uncommon Places and American Surfaces evoked a sad, ever-spreading hinterland that novelist Raymond Carver also mapped out in his minimalist prose.
因此，在《老人与海》中，硬汉桑提亚哥的刚毅性格，已经成为小说的表面。
Thus, in the "Hits", the tough-guy character of Santiago's fortitude has become the novel's surface.
从表面上看，小说是一种线形结构，具有闭合性的特征，而实质上却具有开放性和未完成性。
The novels are linear and close in structure professedly, but virtually is open and unfinished.
因为小说的作者重在刻画和关注事实，而非表面事实的报道，他们的作品有更深远的意义。
Because the creators of fiction shape and focus reality rather than report on it literally, their creations have a more lasting significance.
龙应台的《在海德堡坠入情网》是她为数不多的小说之一，虽然表面上该小说的文字不象她的杂文那样犀利泼辣，但该小说的出现同样意味着龙应台对女性问题的关注和深思。
Though her novels character is no more incisive rude than that of her essays, it still means that Long Yingtai have paid much attention to female problems and pondered these matters.
这就导致了小说表面上过去现在未来的混乱，因此对人物思绪的理解必定是要依靠语境的。
In this thesis, the analysis of tense as time deixis helps to reveal the context-dependent information under the mess surface.
在小说中，我们经常读到一个表面上受人尊重的人物或家庭，却有着某种多年不为人所知的骇人听闻的秘密。
We often read in novels how a seemingly respectable person or family has some terrible secret which has been concealed from strangers for years.
秦文君“成长小说”的审美意蕴一方面使得作品充满了乐趣和正面的鼓励性意味，但同时也令作品流于表面。
Qin Wenjun "Initiation stories" aesthetic implication on the one hand makes the work fun and encouraging positive means, but also that works superficial.
表面上道貌岸然的人或有声望的家庭，却有着骇人听闻，多年不让人知道的秘密，这样的事情我们经常在小说里读到。
We often read in novels how a seemingly respectable person or family has some terrible secret, which has been concealed from strangers for years.
表面上令人尊重的人或家庭，却有着多年不让外人知道的骇人听闻的秘密，这样的事情我们经常在小说里读到。
We often read in novels how a seemingly respectable person or family has some terrible secret which has been concealed from strangers for years.
表面上道貌岸然的人或有声望的家庭，却有着骇人听闻，多年不让人知道的秘密，这样的事情我们经常在小说里读到。
We often read in novels how a seemingly respectable person or family has some terrible secret which has been concealed from strangers for years.
因此，小说中丰富的美学资源被埋没，学生审美取向日趋于表面化，感官化，低俗化。
Therefore, the wealthy resource aesthetics was buried, and the student's aesthetics got down to supperficality and vulgarity gradually.
因此，小说中丰富的美学资源被埋没，学生审美取向日趋于表面化，感官化，低俗化。
Therefore, the wealthy resource aesthetics was buried, and the student's aesthetics got down to supperficality and vulgarity gradually.
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