本文从河南大平调的渊源与流变、唱腔艺术特色、演唱风格、形体表演特点四个方面作了初步的探索。
The present paper makes a preliminary probe into the four aspects of Henan Even Major: origin and evolution, artistic singing features, singing styles and body acting features.
本文以心理学理论为依据，结合音乐表演理论、歌唱理论以及歌唱实践的特点对声乐演唱中的感觉与思维进行了深入的研究。
This paper is based on psychological theory, the union music performance theory, sings the characteristic which the theory as well as sang to practice to the vocal music to sing.
时装表演中音乐具有举足轻重的地位。本文运用心理学的一些原理，论述了音乐对时装模特的影响与作用。
The music occupys a decisive position on fashion performance. This paper deals with and analyses the influence and function of music upon fashion model from the psychology.
本文试图运用表演修辞观、叙述修辞观及想象主题修辞观对典故作一些分析。
This paper tries to make an analysis of Allusion from Performance Perspective, Narrative Perspective and Fantasy Theme Perspective.
本文试图从象征性、规定性、舞蹈性三方面来阐释戏剧服饰在整个戏曲表演中的重要作用。
This paper attempts to illustrate the important role of costume in the whole opera performance from three aspects-symbolism, prescriptivism, and the nature of dance.
本文通过对歌唱表演过程中各种心理因素的分析和描述，阐述了不同表演主体的心理特征和规律，以及个性心理特征的特殊反映过程。
Based on an analysis of psychological factors influencing singing performance, the author discusses the psychological law of different singers and their manifestation out of individual differences.
本文是对豫剧表演艺术家常香玉在其代表性优秀剧目《拷红》、《断桥》、《花木兰》中的演唱艺术的研究。
This paper studies the singing art of the performing artist Chang Xiangyu on Henan Opera in her representative works "Kao Hong", "The Broken Bridge" and "Hua Mu Lan".
本文从豫西蒲剧的形成、剧目、唱腔、伴奏、表演等诸多方面作初步的探索，以展现蒲剧的艺术风格。
To embody the style of the this Opera, this article of fundamental research describe several aspects, that is, the forming, the list of plays, the aria, the accompaniment and the performance.
本文主要论述了声乐演唱以及在声乐表演艺术中注意的几个问题，及其美学意义。
The paper focuses on some problems about vocal sing and performance art and aesthetic meaning.
在本文中，着重对演唱表演中的心理因素做了具体的分析，最大限度的诠释了心理因素在表演中的影响。
In this paper, concert performances focused on the psychological factors done a specific analysis, the interpretation of the maximum psychological factors in the impact of performance.
本文认为表演是表演者将按照规则、程式练习而获得的技艺展示出来供他人观赏的行为。
This paper will show that the performance is the process of showing their skills learned from programming practice.
鉴于目前中国话剧表演史研究的匮乏局面，本文尝试对中国现代话剧表演的历史演变，作初步梳理与概括。
In view of the present scarcity in the study of Chinese drama performance history, this thesis is trying to sort out and outline the historical evolution of Chinese drama performance.
本文以整理张权的声乐艺术成就为目的，回顾了张权的声乐表演活动、声乐教学活动。
This research is intended to sort out Zhang Quan's achievements on vocal music, reviewing her activities in vocal music performing and teaching.
本文试图从音乐剧的基本属性出发，结合艺术高职表演人才培养目标，探寻音乐剧在综合性艺术高职院校表演艺术实践中的价值。
Based on the basic property of melodrama and combining with the talents cultivation aim, the paper probes into the value of melodrama in performance art practice in vocational art colleges.
本文通过对视觉，心理，音效等方面，分别从理论、艺术、和实践技术的角度分析抽象角色在动画表演中的情感表达。
So this thesis will represent how to achieve it in vision, psychology, audio from academic, artistic and practice technical.
本文试图通过对服装表演现状的分析并结合我院的教学实践为建立符合社会需要的服装模特的培养模式提供一定的理论依据。
This article provides theoretic basis for fashion models training through analysis of present situation and teaching practice in this college.
本文旨在系统考察当代美国著名表演诗人安·瓦尔德曼的表演诗歌。
This essay is aimed at a systematical exploration to the performance poetry of Anne Waldman, a leading performance poet in contemporary America.
本文以音乐剧《西贡小姐》为文本研究对象，对其进行了剧本、音乐、舞台表演等艺术元素的研究。
Based on the musical "Miss Saigon" for text research object, the dissertation analyses the book, music, art element such as stage performance.
本文研究了科技讲课的表演艺术规律。
This article investigates the artistic laws of lectures on science and technique.
本文从关注老艺术家王昆的艺术生活入手，探寻其声乐表演艺术风格的形成原因。
The thesis starts with focus on the life of Wang Kun, an old singing artist, and then goes on to explore the cause of the forming of her style in singing performance.
本文主要探讨了观察生活对演员表演创作的重要性。
This article on the study and observation of life in the actor an important role in the process.
本文将以即兴表演训练为切入点，初探讨即兴表演练习在表演教学中的意义和作用。
This paper tries to explore the significance and function the improvisational exercises play with the improvisation training as the cutting point.
本文将以即兴表演训练为切入点，初探讨即兴表演练习在表演教学中的意义和作用。
This paper tries to explore the significance and function the improvisational exercises play with the improvisation training as the cutting point.
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