在进行艺术批评时，你必须假设艺术家在作品中隐藏着秘密信息。
In art criticism, you must assume the artist has a secret message hidden within the work.
艺术批评不是艺术创作的裁判员。
电影艺术批评是电影鉴赏的类存在。
Cinematics critique is a kind of existence of film appreciation.
其他艺术批评家也认为坎普屈从于幻想。
Other art critics have suggested that Kemp has succumbed to a fantasy.
京派批评涵盖文学批评和其他各类艺术批评。
Beijing School criticism consists of literature criticism and other kinds of art criticism.
艺术学由艺术理论、艺术史和艺术批评学构成。
The theory of Arts is consisted of artistic theory, artistic history and artistic criticism theory.
第二部分：隐蔽的真理：丹纳的艺术批评观念。
The second section: the hidden truth: Taine's critical views, i. e. his aesthetic thoughts.
生动、短小的“片断”是浪漫主义艺术批评特有的形式。
Short and vivid extracts are the unique form of art criticism of romanticism.
中国传统的艺术史观和艺术批评模式，遭到多数人的摒弃。
Many abandoned their views on traditional Chinese art history and models of art critique.
这些因素共同导致了边缘批评呈现出非单纯艺术批评的特色。
These factors resulted in the fringe criticism's approach to the realistic literary criticism.
从学科内容上是指美学、艺术批评、艺术史、艺术创作的综合。
Mean that the esthetics, the art animadversion, art history, art creates comprehensive up from the course contents.
他早年的创作主要是写艺术批评，他笔锋犀利、见解独到、剖析深刻。
His early works were mainly about the art criticism. His writing Style was sharp with unique and profound analysis.
这件作品和其他大型的作品一起放在学校的大草坪上，准备接受艺术批评。
It was placed among other large pieces on the main lawn of the university ready for an art criticism.
本文分别从艺术批评的角度和艺术实践两个方面论述了中国当代艺术文化策略。
This paper discusses the present Chinese art's tactics from two facts, the artistic criticism and the culture practice.
按照西方艺术批评白勺标准来定位白勺话，八大山人无疑是一位唯心主义白勺艺术家。
In accordance with the standards of Western art criticism to locate it, Ba da artist is undoubtedly an idealist.
之后，在2007年于北京清华大学美术学院取得了中国艺术史和艺术批评硕士学位。
Then in 2007, she received her Master's in Chinese History of Art and Criticism from the Academy of Art and Design of Tsinghua University, Beijing.
对“形”的知觉心理在艺术形式建构过程中的作用研究，在艺术批评和审美教育中深具意义。
The study of the role of perception psychology in the changing of art form has great meaning in the art critics and aesthetic education.
女性主义在20世纪成为一场巨大的社会运动，并成为一种重要的艺术创作和艺术批评方式。
Feminism became a great social movement in the 20th century, and an important way of artistic creation and criticism as well.
在中国乃至世界美术领域，女性主义艺术批评缺乏学理上系统梳理和人类学意义上的建设性省思。
In the art field in China and the world, the feminist lack of the research and construction.
克罗齐把艺术即直觉归结为感性认识，把艺术批评归结为以人生阐释为内容、以知觉判断为形式的理性认识。
Croce boils down art, i. e. intuition, to perceptual knowledge and art criticism to rational knowledge, which takes interpretation as its content and perceptive judgment as its form.
从精神的自由性与独立性而言，艺术批评与艺术创作是相一致的，但其思维方式与实践形式则又是有差异的。
As far as the mental freedom and independence, art criticism is as same as art creation, but its mode of thinking is different from its practice form.
在西洋，所谓 Utpicturapoesis, “诗既如此，画亦同然”，早已成为艺术批评上的一句名言。
In the West, there is a saying Ut pictura poesis, “As in painting, so in poetry, ” which has long been regarded as an established observation in art criticism.
可以评价艺术家的作品做得好或不好，但是否是小丑是另外一种评价标准，我觉得不能作为一个艺术批评的尺度。
You can judge that the works of an artist are good or not, but clown is another standard of assessment, which I don't think it is a scale for artistic criticism.
本书作者休斯先生是《时代》杂志的艺术批评家，生于澳大利亚，他以相当出色的叙述，成功地完成了这部涉及范围广泛的著作。
Mr Hughes, the Australian-born art critic of Time magazine, comes as near as anyone to fulfilling that job description and for much of this wide-ranging volume he succeeds magnificently.
在文章的最后，本文探讨了布洛克艺术理论对当代艺术理论建设和艺术批评所具备的意义，提出了看待当代艺术(行为艺术)的原则性的意见。
In the end of the article, the author explores the significance to contemporary art theory of Blocker's art theory and puts forward the principles of how to treat the contemporary art.
英国艺术批评家拉斯金曾说：“我的生活中没有什么错误或荒唐行为，能够使我亲痛仇快。 我的快乐、财富、眼界和理解力从未因此而减少分毫。
"There is no fault nor folly of my life," says Mr. Ruskin, "that does not rise up against me, and take away my joy, and shorten my power of possession, of sight, of understanding.
艺术博物馆的展览提醒我们，当自发的批评被压制时会有什么样的批评行为出现。
The displays of art museums serve as a warning of what critical practices can emerge when spontaneous criticism is suppressed.
批评家必须在熟悉艺术史和美学理论的基础上培养一种感性。
It is necessary that a critic develop a sensibility informed by familiarity with the history of art and aesthetic theory.
批评家必须认识到需要主观反应的独特的艺术因素；然而，她不应对这种反应抱有过分的偏见。
The critic must recognize the artistic element of uniqueness that requires subjective reaction; yet she must not be unduly prejudiced by such reactions.
批评家必须认识到需要主观反应的独特的艺术因素；然而，她不应对这种反应抱有过分的偏见。
The critic must recognize the artistic element of uniqueness that requires subjective reaction; yet she must not be unduly prejudiced by such reactions.
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