章两个国家德莱塞的概念道德。
莱塞从来没有做过的事情。
穿破裤子的慈善家，罗伯特。特莱塞尔。
德莱塞的小说里渗透着一股沉重的悲观主义情绪。
德莱塞是二十世纪初美国最有影响力的小说家之一。
Theodore Dreiser is one of the most influential American novelists during the f'ist half of the 20th century.
摘要：德莱塞是二十世纪前半叶美国杰出的现实主义作家。
Abstract: Dreiser is the United States outstanding reality writers in the early 20th century.
在此阶段，德莱塞塑造了许多消费文化忠实拥护者的形象。
In this phase, Dreiser created many characters who were loyal adherents to consumer culture.
对啊，我有很多同学英语不怎么样，但是唱英语歌很莱塞类。
My cousin's english is not so good but she can sing English song very well.
第一章也阐述的主要方面施加影响很大，德莱塞的哲学思想。
Chapter One also expound the main aspects that exert a great influence on Dreiser's philosophical thinking.
德莱塞和刘易士对新消费者文化的兴起，提供了大量负面的描写。
Both Theodore Dreiser and Sinclair Lewis offer largely negative portrayals of the rise of a new consumer culture.
威廉•德莱塞维茨是《国家》杂志撰稿人和《新共和》杂志编辑。
William Deresiewicz is a contributing writer for The Nation and a contributing editor at The New Republic.
乔妮准备离开家去上大学的时候，15岁的莱塞非得要她帮个忙。
As Joni prepares to leave for college, 15-year-old Laser presses her for a big favor.
但特莱塞镇的污染已经造成了，居民们不再相信住在那里是安全的。
But the damage in Treece was already done, the residents no longer believed it was safe to live there.
莱塞拉尔理工学院的研究人员已经发现了细菌产生生存能力的新细节。
Researchers at Rensselaer Polytechnic Institute have discovered new details about how bacteria generate energy to live.
毫无疑问，西奥多·德莱塞是美国文学历史上最重要的作家之一。
Theodore Dreiser is unquestionably one of the most important American writers in American literary history.
2009年12月，该片的美国版本上映，由导演莱塞•霍尔·斯道姆执导。
In December 2009, the American version of the film, directed by leser, halls, directed.
美国作家西奥多·德莱塞在1900年出版了他的第一部小说《嘉莉妹妹》。
In 1900 American journalist Theodore Dreiser published his first novel Sister Carrie.
德莱塞是20世纪美国文学史上第一位杰出的作家，也是美国现代小说的先驱。
Dreiser was the first prominent writer in the American literature history in 20th century, and also the pioneer of American modem fictions.
但莱塞姆先生相信城市需要权衡惹眼的地标建筑和越来越多的背景建筑之间的平衡。
But Mr Latham believes cities need to strike a balance between "look at me" constructions and more discreet, "background" buildings.
德克萨斯州展出包括了一个黑曜石面具，可能是从埃及被带到哈喇和林来的，莱塞姆说。
The Texas show includes an obsidian mask that likely traveled to Khara Khorum all the way from Egypt, Lessem says.
美国公众对如此强烈的文学读物还没有作好准备，而德莱塞则宁可等待时机，也不妥协。
The american public was not yet ready for such strong literary fare, and dreiser bided his time without compromising his integrity.
卡莫莱塞是一位有着雄心壮志的年轻教练，他那颗属于都灵的心现在要变成阿马兰托的心。
Camolese is a young Coach with big ambitions and his Torino heart can become an Amaranto heart.
人们一般把德莱塞看作是自然主义或批判现实主义作家，而忽视了其长篇小说的现代性因素。
We generally regard Dreiser as naturalism or the critical realism writer, but have neglected the modern factors in his novels.
艺术是人类灵魂贮藏的蜂蜜，通过苦难和旅行的羽翼积攒。(美国小说家西奥多·德莱塞)。
Art is the stored honey of the human soul, gathered on wings of misery and travel. (Theodore Dreiser, American novelist).
德莱塞的这种悲观主义是与自身经历、悲观的哲学思想以及特有的“美国梦” 的破灭是分不开的。
The pessimism of Dreiser is not separated from his own experience, pessimistic philosophy and the breaking of "American Dream" .
在第二阶段，社会达尔文主义的思想已经不再是德莱塞创作的基调，取而代之的是对消费文化的感悟。
Then Social Darwinism retreated from the influential frontline with Consumer Culture emerging as the second influence on his works.
结论，使升值的德莱塞在其他方面和他的地位在美国文学史，它也提到德莱塞的影响，后来的小说家。
The conclusion makes a revaluation of Dreiser in additional aspects and his status in American literary history. It also mentions Dreiser's influence on later novelists.
更值得一提的是德莱塞在这部小说中成功的运用了弗洛伊德的心理分析理论来揭示小说中人物的内心冲突。
Another greatness Dreiser achieved in this novel is his successful application of Freud's psychoanalytic theory in exploring the inner conflicts of characters.
换句话说，翻译就如同莱塞尔女士所说，打开语言的囚牢，将文本从其原文语言，文化，和观众的禁锢中释放出来。
In other words, a translator unlocks the prison of language, as Ms. Lesser said, and helps a text break free of its limited original language, culture, and audience.
换句话说，翻译就如同莱塞尔女士所说，打开语言的囚牢，将文本从其原文语言，文化，和观众的禁锢中释放出来。
In other words, a translator unlocks the prison of language, as Ms. Lesser said, and helps a text break free of its limited original language, culture, and audience.
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