塑造鲜活的音乐人物形象是莫扎特歌剧音乐创作成功所在。
Shaping the image of live music personalities is the success of Mozart's opera the music.
通过本文研究，我们从塔米诺看到了莫扎特歌剧创作的独特魅力。
Adoption of this study, we see from Tamino Mozart opera created by the unique charm.
塔米诺作为莫扎特歌剧《魔笛》中的男主人公，在剧中有着重要的地位和作用。
Tamino as Mozart opera "the Magic Flute" in the male protagonist in a play has an important status and role.
莫扎特的这种对音乐与戏剧的态度决定了歌唱者在表现莫扎特歌剧作品时的特殊风格。
Mozart's music and drama of this attitude in the decision of the singing performance of Mozart's opera works at the special style.
其他编剧、导演作品还有莫扎特歌剧《蒂朵的仁慈》、儿童音乐剧《嘟嘟的快乐声音会》、电视剧《生死大营救》等。
His works of stage drama as a director are as follows: Mozart's opera “La Clemenza di Tito ", Sony children's musical "Happy Beep Sound," "Vital Rescue”, etc.
论文以莫扎特歌剧意识形成的人文背景为源流，从探讨莫扎特歌剧美学思想深处的戏剧性内涵入手，对莫扎特突出的戏剧手法作进一步分析。
This paper discussed the dramatic meaning of the aesthetic mind in Mozart opera, and looked backward the background of the conscious formation, and analyzed Mozart's prominent dramatic technique.
音乐分析的对象主要是《费加罗的婚姻》，这部戏被音乐学界公认为莫扎特歌剧重唱写作最优秀的“范例”所以本文涉及歌剧重唱文本研究研究的部分主要是基于这部作品展开的。
The Marriage of Figaro is regarded as the bet model of the ensemble of Mozart's operas, so the research will be carried out from this opera.
莫扎特在创作出他最后一部歌剧后不久便去世了。
安迪用扬声器播放的那首歌剧歌曲是莫扎特的《费加罗的婚礼》中“西风吹拂”这一段。
The opera song that Andy Dufresne plays over the loud speakers is Canzonetta sull' aria from Mozart's Marriage of Figaro.
莫扎特死于35岁，死后他留下了超过600件作品，包括歌剧，室内音乐作品和钢琴协奏曲。
When he died aged 35, Mozart left behind more than 600 works, including operas, chamber works and piano concertos.
在莫扎特的歌剧《唐乔凡尼》中。
无疑莫扎特的歌剧绝对不是一堆音符，但即使这位无人可望其背项的音乐大师，也有不少二流模仿者。
His operas were more than the sum of his notes. But even if the great composer had no peers, he has had plenty of imitators.
吉姆笑了，莫扎特的歌剧。切鲁·比诺拯救了整个早晨。
Jim smiles and finds Mozart and the morning is saved by Cherubino.
在大都会歌剧团的网站上听上一段音乐片段，你在一分钟内就能明白晦涩的谭盾歌剧和生动的莫扎特古典音乐之间的区别。
Listen to clips on the Metropolitan opera site and you'll understand the difference between a questionable tan Dun opera and a delightful Mozart classic in less than a minute.
莫扎特死时35岁，留下了600多篇作品，包括歌剧，室内乐作品和钢琴协奏曲。
When he died aged 35, MOzart left behind more than 600 works, including operas, chamber works and piano concertos.
安迪用大喇叭播放的那首歌剧歌曲是莫扎特的《费加罗的婚礼》中“西风吹拂”这一段。
The opera song that Andy Dufresne plays over the loud speakers is Canzonetta sull'aria from Mozart's Marriage of Figaro.
在莫扎特的歌剧中可以发现东方风格。
歌剧起源于意大利，是吧？我是说除了莫扎特是奥地利人以外，所有的作曲家都是意大利人。
It comes from Italy, right? I mean all of these composers were Italian, but Mozart was Austrian.
作为杰出的歌剧大师，莫扎特不仅写下了纯美的音乐，其歌剧中的戏剧性更有创造意义。
As an outstanding opera master, Mozart composed pure and beautiful music, and the drama in the opera is more creative.
是的，即使像莫扎特这样的外国人也用意大利语进行创作，但后来随着歌剧的广泛传播，他们开始用自己的语言创作。
Yes, even foreigners like Mozart wrote in Italian, but later as it expanded, they started to write in their own languages.
歌剧是莫扎特音乐创作的重要组成部分。
Opera was an important integrant of the music creation of Mozart.
莫扎特作为歌剧作家，至今仍占有突出的地位。
歌剧是莫扎特音乐创作的重要领域。
以莫扎特、瓦迪和瓦格纳所创作的音乐剧为形式，再加入现代摇滚乐的内容，之后会得到什么?是摇滚歌剧。
Take the musical drama form written for by mozart , vardi and wagner . add the modern music of rock & roll , and what have you got ? rock opera.
凯蒂，这是莫扎特的曲子，沃尔夫冈•阿玛多伊斯•莫扎特。这是他的歌剧<卢齐奥•西拉》，大约写于1770年。
It's Mozart, Katie. Wolfgang Amadeus Mozart. This piece is called Lucio Silla and was written in around 1770.
莫扎特在写作喜歌剧《费加罗的婚礼》时，把握住了重唱的戏剧力量，以重唱这种声乐形式来创造了喜歌剧风格中潜能价值的全面实现。
In Mozart's "the MARRIAGE of FIGARO", he grasped the dramatic power of duet and realized the latent value of the opera buffa style by the vocal musical form of duet.
无疑莫扎特的歌剧绝对不是一堆音符，但即使这位无人可望其背项的音乐大师，也有不少二流模仿者。
Mozart might have sympathised. His operas were more than the sum of his notes. But even if the great composer had no peers, he has had plenty of imitators.
沃尔夫冈•艾玛迪斯•莫扎特《啊，逃生的奸臣》选自歌剧唐璜，弦乐四重奏分谱。
Wolfgang Amadeus Mozart, Ah, Fuggi il Traditor from Don Giovanni String Quartet.
沃尔夫冈•艾玛迪斯•莫扎特《啊，逃生的奸臣》选自歌剧唐璜，弦乐四重奏分谱。
Wolfgang Amadeus Mozart, Ah, Fuggi il Traditor from Don Giovanni String Quartet.
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