苏轼的词《明月几时有》将这种酒仙般的飘逸演绎到极点。
Su Shi's words, "comparative study" will be the elegant interpretation of such immortals as extreme.
本文正是通过苏轼贬谪时期词作中的几个意象来探索其贬谪心态。
It is through this article relegate Sushi period of a few words for imagery to explore the mentality of their relegation.
二是当时大量读者、听众的非审美性的接受动机,也造成了对苏轼词的曲解与误读。
On the other hand, the anti-aesthetic acceptant motive make the misinterpret and misreading of many readers and audience then to Sushi's Ci.
受苏轼影响和生活环境的变化,苏门四学士都有以诗为词的创作倾向。
The four students of Sushi have the common inclination of taking Poetry as Ci because of the affection of Sushi and the change of their living conditions.
第一部分谈苏轼的豪放词。
苏轼的咏物词多为借物抒情,体现了词人复杂的思想和矛盾的世界观。
Most of Sushis ci which sing the praises of things expressed his mixed emotion depending on sundry things, thus reflected his complexed thoughts and contradictory world outlook.
文章还指出苏轼轻视词体的思想根源在于思想意识上的雅俗观念。
Sushi like regard Ci on the rule of poetry expresses his thoughts of underestimating Ci.
以往对“乌台诗案”影响苏轼创作的研究,过多集中于诗歌,而对于词创作的影响关注不够,或者略有提及。
Most previous critics focus on Sushi 's creation of poetry but very little on Ci creation, even slightly mentioned.
但如果我们站在整个词史的角度,站在苏轼整个词作的角度来观照苏轼词的风格,会有许多新的认识。
But if we were in the position of the whole poetry history and in the Angle of his whole works to analyze his style of the poems, we'll have lots of new understanding.
本论文旨在通过对苏轼词各英译本的对比,对宋词翻译做一次尝试性研究。
This thesis intends to make a tentative study of the English versions of Su Shi's ci-poetry.
认为“长短句是词的最基本的标志,”但长短句不等于词,因此证明不了苏轼“被打入另册的40首长短句”都是东坡词。
Rao's idea is that Changduanju(long and short sentences) are the most essential symbols of Ci, however, they themselves are not Ci.
认为“长短句是词的最基本的标志,”但长短句不等于词,因此证明不了苏轼“被打入另册的40首长短句”都是东坡词。
Rao's idea is that Changduanju(long and short sentences) are the most essential symbols of Ci, however, they themselves are not Ci.
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