这三种因素有一个共性：它们都先入为主地假定了主观的艺术认知。
These three factors of variation have one thing in common: they all presuppose the artistic recognition of subjectivity.
认知的流动性解释了艺术、宗教和复杂的语言的出现。
Cognitive fluidity explains the appearance of art, religion, and sophisticated speech.
批评家的知识和训练，更确切地说，是一种认知和情感能力的准备，这是对艺术作品自身独有品质作出适当的个人反馈所必需的。
The critic's knowledge and training are, rather, a preparation of the cognitive and emotional abilities needed for an adequate personal response to an artwork's own particular qualities.
只有电影人与艺术历史学家之间有效的合作，才能创作出能够提升观众对艺术的认知的电影。
Only an effective collaboration between filmmakers and art historians can create films that will enhance viewers' perceptions of art.
设计灵感是由认知科学、艺术，甚至科幻激发出来的。
Designs are inspired by cognitive science, the arts, even science fiction.
最初在美国华盛顿特区的科克伦的艺术画廊展出的一个巡回展览，现在已经到了伦敦展出。展览向人们表明，迈布里奇远不止仅仅是运动认知的先驱。
A travelling exhibition, which began at the Corcoran Gallery of Art in Washington, DC, and has now opened in London, reveals Muybridge as much more than simply the pioneer of motion, however.
“我相信那是一种认知上的改变，艺术突然就在人们脑子里萌芽。”他这样说。
"I believe that there was a cognitive change, which suddenly put art into people's heads," he says.
在一次对艺术和认知的研究中，要求参与者学习不同艺术家的绘画风格。
In a study about art and cognition, participants were asked to learn the styles of various different painters.
从某种意义来说，艺术家真正在做的只是拓宽你的意识和你对事物的认知。
In a way, what artists really do is extend your senses and your awareness of things.
因为思维导图是兼具分析性和艺术性，因此会让大脑思维更为发散，可以激发所有认知功能。
Since it is an activity that is both analytical and artistic, it engages your brain in a much, much richer way, helping in all its cognitive functions.
因此，他们能够把自己对大自然的认知结合到制造物品的知识中去，从而给予了他们创造艺术品的新能力。
So they can combine what they know about nature with what they know about making things, and this gives them a new capacity to produce pieces of art.
艺术家很乐意鼓励对她喜剧两位主角的更多的认知。
The artist is happy to foster additional awareness of both the stars of her comic.
舞蹈教育心理在舞蹈基本功教学中具有培养学生认知能力、想像能力、创造思维能力和艺术创造力的功能。
In teaching basic dancing skills, dance education psychology plays the role of training students 'cognitive ability, imaginative ability, creative thinking ability and artistic innovation ability.
但艺术中“自我认知”的局部性并不是悲剧，甚至可以成为乐观主义的理由。
However, the localization of "Self cognition" in arts is not a tragedy, on the contrary, it can become the reason of optimism.
被誉为诗艺最高境界的悲剧，以其独特的艺术魅力和深刻的认知价值，千百年来备受关注。
Tragedy, with its specific artistic charm and deep cognitive value, is praised as the highest from of poetical art and enjoys great concern for thousands of years.
编制多媒体课件时应选择合适的课题，编制的课件应符合学员的学习认知规律并具有艺术美感。
The proper subjects are to be selected in programming multi-media teaching software, which should accord with the students study cognitive regularity and possess artistic sensuous pleasure.
真正意义上的艺术不应单单是一件商品，在它的核心处该是一份表述，关乎艺术家本身乃至对我们人类本性的认知。
True art should not be just a commodity, it should at its core be an expression, of the artist and of us all as human beings.
视觉动感，就像黄金分割一样，是我们视觉和认知过程自发的潜意识行为，但是在艺术创作过程中往往忽视了它的作用。
Visual Movement, like the Golden Section is something we all 'see' and 'recognise' automatically on an almost subconscious level but we sometimes fail to acknowledge when we compose our own Art.
对艺术的认知，和相应的美学观念对已经有了翻天覆地的变化。
The cognition to the arts, and the corresponding aesthetic concepts on has had changed.
当前，造型色彩美学、个性化功能实现及认知、人性化人机工学原理等艺术特质在信息产品界面设计中得到广泛应用。
At present, the plastic color art, the realization of personalized functions and human factors engineering have been applied widely in the design of ergonomic interface.
艺术灵感的生发是来自先天的敏感和后天认知过程的积累程度，它传达着的是一种内心深处或灵魂深处的对美、对事物的自白。
Originating from an accumulation of both innate sensibility and acquired cognitive process, the birth of inspiration expresses my statement of both aesthetic and reality in deeply inner soul.
《诗经》中的兴象依附于上古诗者的认知方式而存在，并随认知方式的演变而演变。认知思想的终结即是艺术形式的终结。
The form in the Book of Odes exists relying on the way of cognition of ancient poets and it develops with the evolution of the way of cognition.
本文就是立足图符艺术的符号认知和符号学分析，这是研究图符艺术与现代设计的重要途径。
The paper based on artistic cognition and the Semiotics analysis of the Symbol art. It is an important way to research on this symbol art and modern design.
语言有三种主要功能：认知和表达功能，文化功能和艺术功能。
Language has three major functions: cognitive and expressive, cultural, and aesthetic functions.
就艺术而言，我认为愉快和恐怖可以当然地并存，尽管这不一定合乎理性认知的逻辑。
As far as art is concerned, I think that pleasure and terror can certainly coexist, though this may not necessarily conform to the logic of reasonable cognition.
就艺术而言，我认为愉快和恐怖可以当然地并存，尽管这不一定合乎理性认知的逻辑。
As far as art is concerned, I think that pleasure and terror can certainly coexist, though this may not necessarily conform to the logic of reasonable cognition.
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