艺术本体论研究已是20世纪的显学。
Art ontology research has been a renowned discipline in the 20 ~ (th) century.
从艺术形式角度研究这一时期的小说，属于小说艺术本体论的研究范畴。
This research is an ontological research, which is based on the analysis for the fictions' text.
席勒最后更为直接地把美和艺术的根据建立在了“游戏冲动”之上，从而形成了自己的艺术本体论。
Since the foundation of beauty and art was built on the term of "game impulsion", Schiller formed his own artistic ontological, finally.
伽达默尔在《真理与方法》一书中对艺术作品偶缘性问题的讨论，是他超越主观论美学而从艺术本体论向普遍意义的诠释学本体论过渡的一座桥梁。
Transcending subjectivist aesthetics, Gadmer s discussion of occasionality in his "Truth and Method" Bridges his artistic ontology and hermeneutical ontology on a universal level.
实践不仅是社会本体论的本体，而且是审美、美、艺术的本体。
Praxis is not only the body of social ontology, but also the body of aesthetics, beauty and art.
就像哲学家搁置对现实的本体论讨论一样，艺术家也要放弃去表征任何一种现实的企图。
Just like philosophers who suspended ontological discussions on reality, also artists have to abandon any attempts to represent reality.
在批判主体论美学的基础上，伽达默尔提出了艺术作品本体论。
By criticizing the subjective aesthetics, Gadamer proposes the ontology of artistic works.
宗白华先生在中国美学史上第一次把审美与艺术的虚实关系提到宇宙观高度作本体论论证。
It is the first in the Chinese aesthetic history that Mr. Zong Bai - hua demonstrated the relationship of "Xu - shi" in aesthetic and art from the point of world view.
本文将林语堂置于二十世纪中国现代美学的情境中，主要从知识社会学、价值论、本体论的角度对他的“生活艺术论”进行深入研究。
Placing Lin Yutang in the 20th century contemporary Chinese aesthetics, the dissertation probes his "Art of Living" from the viewpoints of sociology of knowledge, theory of value and the ontology.
最后简单介绍伽达默尔的游戏观对他的艺术作品本体论的建立的意义。
At last introduce briefly the significance of Gadamer's Play points to the build of his Art Ontology.
最后简单介绍伽达默尔的游戏观对他的艺术作品本体论的建立的意义。
At last introduce briefly the significance of Gadamer's Play points to the build of his Art Ontology.
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