自然审美是中国古代美学的核心。
两宋是中华自然审美的精致化阶段。
Song Dynasty was the refinement stage in the appreciation of the nature in China.
自然审美是中国古代美学的核心。
再接着对唐代自然审美意识进行分析。
Then propose the universally consciousness of Tang Dynasty nature aesthetics.
《诗经》中就有许多这种自然审美意象。
自然审美是自然的人化与人的生态化的统一。
The natural aesthetics is the integration of the natural humanization and human ecological tendency.
工业文明下自然的人化使得人与自然审美关系破坏；
Under the industry civilization the natural hominization causes the person and the nature esthetic relations destruction;
中国古代山水诗形成于晋代，是诗人自然审美的结晶。
Chinese ancient landscape poetry came into being in the Jin Dynasty. It is the crystallization of poets natural aesthetic.
由此，两者在跨文化视野下的自然审美中走向了更高层次的融合。
Thus, under the natural aesthetics, from a cross-cultural perspective, they walked towards the connect of higher level.
《世说新语》人物品藻中的自然物象在某种程度上也是自然审美对象。
The natural object in Shi Shuo Xin Yu is the aesthetic target naturally to a certain extent.
旅游者在自然审美、艺术审美和历史审美中获得精神解放和塑造完美人性。
The tourists will get the emancipation of the spirit and figure the perfect humanism through the natural, artistic and historical aesthetic activity.
旅游审美文化包括自然审美文化、社会审美文化和艺术审美文化三种类型。
The traveling aesthetic culture includes natural aesthetic culture, social aesthetic culture and artistic aesthetic culture.
自然审美在对人与自然共在关系的确证中，表现了自然的美与人的美的自由契合。
The natural aesthetics shows the free combination of natural beauty and human beauty in the identification of the relationship between the nature and human.
自然审美也当是人类最高的审美境界，它可以拓展和提高整个审美活动的精神品格。
Therefore, appreciation of natural beauty ought to be the highest realm of human appreciation of the beautiful, which can extend and heighten the spiritual quality of the whole aesthetic activity.
自然审美在促进人与自然和谐相处，重建人与自然的精神联系方面，有不可替代的独特作用。
Appreciation of natural beauty plays an exceedingly distinctive part in bettering the harmonious transaction between man and nature to reestablish the spiritual contact between them.
充分认识自然审美价值的丰富性和复杂性，能为旅游景点的开发和设计提供坚实的理论指导。
The study may provide a solid theoretical basis for the development and design of tourist attractions.
其审美理想主要是多样性、自然性和求新性。
Its aesthetic ideal is mainly of variety, nature and fashion seeking.
人为破环程度超出了（自然界的）审美要求：Kagombe本身是作为一系列的过渡森林地带之一，构成了一条黑猩猩和其它野生动物的走廊。
The damage goes beyond the aesthetic: Kagombe serves as one of a series of connective forests that make up a wildlife corridor for chimps and other animals.
无论你是否发现花中、快节奏的球场上、或者在大自然的伟大中发现美，“审美”是大脑暂停并以另一种方式运作机会。
Whether you find beauty in flowers, in a fast pitch at a baseball game, or in the grandeur of nature, "beauty appreciation" is the brain's opportunity to stop and function in a different mode.
他们的审美要求是雪白的肌肤，金黄的头发，自然的妆扮。正如当今的人们，为了达到那种审美要求，他们几乎可以说不择手段。
Their idea of beauty was pale skin, golden locks and natural makeup and, just like it happens nowadays, they would try everything to achieve it.
艺术品的使用价值与一般商品的使用价值相比，具有审美指向性、自然持久性和多重消费性等特征。
Use value of art and the general value of goods, compared with a directional aesthetic, natural durability and multiple consumer and other features.
各种活动，都要受到自然条件的限制，这时并不会产生审美意识。
A variety of activities should be subject to natural conditions, then does not produce aesthetic consciousness.
竹子因其特殊的审美价值和自然特性，大量的被应用于中国园林。
Large Numbers of bamboo are applied in Chinese garden for their unique aesthetic value and nature characteristic.
迪尔曼·克瑞恩的影像作品传递着作者对自然的敬仰、对现代社会中无常空间及物品的深层审美体验。
Absolutely, his photography works convey admiration and profound aesthetic experience for the nature and variable space and goods in the modern society.
它为设计审美提供了新的思考点与切入点，成为人与物、人与自然、人与环境、人与社会和谐亲近的纽带。
It has become an important link between human and object, human and nature, human and environment, human and society.
土族服饰艺术是土族文化最具特色的显象表征，是土族特有的审美追求和审美心理的自然体现。
The Tus ' dress art is the most characteristic outside symbol of the Tus ' culture and the natural embodiment of the unique aesthetic pursuit and aesthetic mentality.
中国现代小说的自然描写与中国现代小说的审美特质和文化品格形成深刻的文化和文学关联。
The nature of the Chinese modern novel describes to appreciate beauty novel with Chinese modern the characteristic and the cultural characters contain deep culture and the literature connections.
在审美层次上与人有着复杂精神联系的自然美，产生于人化自然，是人类实践活动的直接成果。
On the aesthetic level, the natural beauty spiritually related to the human being and the direct result of the human practice, comes from the "humanized nature ".
在审美层次上与人有着复杂精神联系的自然美，产生于人化自然，是人类实践活动的直接成果。
On the aesthetic level, the natural beauty spiritually related to the human being and the direct result of the human practice, comes from the "humanized nature ".
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