所以我一直在寻找一个平台，在这个平台上，宗教团体，尤其是我们全体牧师，可以和大家以一种更有意义的方式，来讨论户外活动，环境，和自然。
So for me it has been trying to find a place for religious groups and particularly our ministry to talk about the outdoors, the environment, about nature, in a meaningful way.
我们需要弄清楚，为什么有些人感受不到那些自动到我们脑子中的、被认知科学家认为存在的超自然力量呢？是因为这种力量在没有宗教信仰的人那里就不存在了吗？
We need to discover why some people do not "get" the supernatural agency many cognitive scientists argue comes automatically to our brains.
良好的情绪，轻松的心态及虔诚的宗教信仰是大自然赋予我们的三个最强大的法宝，用来帮助我们完成自我修复，人类历史上从来不乏这样的详细记录。
It was meticulously recorded throughout the history of mankind that good humour, lightheartedness and religious beliefs are the most powerful self-healing instruments given to us by the Mother Nature.
从民众时间意识的起源上看，自然时序、原始宗教信仰以及社会生活节奏是形成民众时间观念的三大要素。
The natural season, primeval faith and social life cadence are three element which came into being the time ideal of demos from origin of time consciousness.
制作者的技术水平和准确度、自然环境和长时间的形成过程以及对最终呈现结果的焦急等待在建筑师看来都带有庄重的宗教仪式感。
The technique and faithfulness of the makers, conditions given by nature and the process of forming made by time, and the waiting for the result are always seen to me as somewhat religious ritual.
华夏民族文化演绎的“龙情结”是远古先民在同自然环境作斗争过程中寄托民众意愿的图腾崇拜，是先祖在生命精神需求和原始宗教信仰上的一种信念寄托。
The "Dragon love knot", generated by Chinese national culture, was a life worship of the ancient ancestors who fought against the natural environment with their good wishes.
他认为来自安特卫普的鲁本斯的宗教画是“不自然的…他仅仅是画画王后，大臣，细细想来，确实是这样”。
From Antwerp he wrote that the religious paintings of Rubens are "theatrical... But what he can do is paint a queen, a statesman, well analysed, just as they are."
我相信上帝，不是因为我信奉宗教，而是因为我相信上帝和任何事情超自然的意志都不会做有害于这个社会，精明的某人是考虑于你的。
I believe in god, not because I am religious, but because I believe he who believes in god or anything supernatural will do no harm to society, knowing someone is looking at you.
傣族舞蹈这种独特的审美特征与其生活的自然环境、社会经济形态、宗教信仰、生活习惯是息息相关的。
These aesthetic features come from the geographical environment, the social-economic form, religion and customs of the Dai people.
这首以诺苏文字书写的诗歌体现了传统的灵魂救赎圣歌的文体特征，包含了许多关于自然界，超自然界，神话，信仰和宗教仪式的意象。
The poem, written in Nuosu, draws on stylistic features of traditional soul retrieval chants and incorporates many images of physical nature, the supernatural, mythology, belief, and ritual.
这首以诺苏文字书写的诗歌体现了传统的灵魂救赎圣歌的文体特征，包含了许多关于自然界，超自然界，神话，信仰和宗教仪式的意象。
The poem, written in Nuosu, draws on stylistic features of traditional soul retrieval chants and incorporates many images of physical nature, the supernatural, mythology, belief, and ritual.
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