背谱可以省下大量时间。
如被教授了正确的方法，任何人都能背谱。
背谱就是这样一个例子。
这就是为什么要在学会之前就背谱的部分原因。
These are some of the reasons why memorizing before you learn is the only way.
这就是为何说背谱是技巧获得中不可分割的一部分。
This is why memorizing is an inseparable part of technique acquisition.
背谱的理由是显而易见的，但令人吃惊的是，很多人并不清楚这些。
The reasons for memorizing are so compelling that it is surprising that many people have been unaware of them.
背谱的好处还有许多，在此不一一例举，等我们在学习如何背谱的时候遇到了，再进行讨论。
There are many more advantages to memorizing; instead of listing them here, we will discuss them as we encounter them while learning how to memorize below.
也有时候你不必去背谱的，比如当你想学大量简单的曲目，尤其是伴奏，因为这需要太长时间去背和保持了。
There are times when you do not need to memorize, such as when you want to learn large Numbers of easy pieces, especially accompaniments, that would take too long to memorize and maintain.
本文从演奏者看谱弹奏时的内心听觉训练、背谱弹奏时的内心听觉训练、冥听训练三个方面探讨了如何进内心听觉训练。
This article makes a discussion on how to make training on inner sense of hearing from aspects of training of sight-playing, recite-playing and meditation.
本文从演奏者看谱弹奏时的内心听觉训练、背谱弹奏时的内心听觉训练、冥听训练三个方面探讨了如何进内心听觉训练。
This article makes a discussion on how to make training on inner sense of hearing from aspects of training of sight-playing, recite-playing and meditation.
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