根据这个特性，不难看出，老子美学本质上是指自然无为的原则支配着一切美和艺术现象。
On the basis of this, the essence of Lao Zi's aesthetics is that beauty and art come from the principle of doing nothing against nature.
事实上，在本体论与存在论的层次上，庄子和海德格尔在美和审美之间，就存在着相同之处，从而表明了人类有着共同的美学追求。
In fact, at the levels of ontology and the theory of existence, Master Zhuang and Heidegger are similar in the aspects of beauty and aesthetics, showing that man has common pursuit of aesthetics.
第三章从美学特征上对意境美和悲剧美两个主要特征进行了论述。
Chapter Three will discuss on the beauty of artistic conception and tragedy from the aspect of aesthetic characteristics.
在中国传统绘画的美学体系建构上，形式美是一个非常重要的环节。
In the aesthetics system form of Chinese traditional painting, the beauty of form is a very important tache.
秦观词素有美如春花的赞誉，这一美学特色毫无疑问主要体现在他词作的“天生好言语”上。
Qin Guan's diction is compared to beautiful spring flowers. Certainly, the characteristics of aesthetics are embodied mainly "in his inherent graceful language" .
在此基础上，他提出了“美是丰富的生命在和谐的形式中”的观点，并将生命的运动与和谐的形式作为他美学与艺术理论的核心。
On this basis, he proposed the point of view "beauty is abundant form of life in harmony", and the movement of life and harmony in the form of aesthetics are taken as the heart of his theory.
第三部分对《古诗十九首》自然美、含蓄美、悲凉美、浑雅美等美学特色进行系统分析，并指出：第一，《古诗十九首》自然之美表现在深衷浅貌、自然精切的语言和情感的真挚自然上；
The third part analyzes the aesthetics characteristics of "the Nineteen Ancient poems "and points out that firstly, the natural and simple language, true emotion reflects the beauty of nature;
第三部分对《古诗十九首》自然美、含蓄美、悲凉美、浑雅美等美学特色进行系统分析，并指出：第一，《古诗十九首》自然之美表现在深衷浅貌、自然精切的语言和情感的真挚自然上；
The third part analyzes the aesthetics characteristics of "the Nineteen Ancient poems "and points out that firstly, the natural and simple language, true emotion reflects the beauty of nature;
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