作者希望通过对绘画本体的关注引发对于绘画本质的自我思考。
The author wishes to arouse the reflection on the essence of painting through the concern about the painting substance.
而李青的作品在关注以上问题的同时也没有放弃对艺术史内部逻辑的思考，尤其是对绘画本体性的连续追问。
While Li Qing's works address the above issues, he has not given up on pondering the internal logic of art history, especially the continued pursuit of the essence of painting.
绘画中的“底”与“图”正是在人类自然视觉机制作用下在人类长期的绘画创作实践中彰显着绘画本体性的价值。
In the painting the ground and figure is a kind of noumenal value under the effect of human spontaneous vision during human long artistic creation history.
在这个意义上，他在绘画中追求的自由，不仅在于他对绘画本体的颠覆，而且在于他对每一个可能性的选择和对不可预知性的求索。
In this sense, the freedom he pursues in painting lies not only in his subversion of painting itself, but also in his choices of every possibility and his probing of unpredictability.
在这个意义上，他在绘画中追求的自由，不仅在于他对绘画本体的颠覆，而且在于他对每一个可能性的选择和对不可预知性的求索。
In this sense, the freedom he pursues in painting lies not only in his subversion of painting itself, but also in his choices of every possibility and his probing of unpredictability.
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