让我们思考音乐的织体,以及这些高低的线条。
Think of the texture of music and think of these strands of high and low.
音乐中的织体是曲调线的分布。
我们来稍微讨论一下音乐的织体。
上一次我们说过,音乐中有三种织体,单音,主音和复音织体。
Last time we said we had three kinds of texture in music which are: monophonic, homophonic and polyphonic.
他的钢琴音乐具有异常新颖,细腻的织体,独具魅力的旋律和色彩丰富的和声语言。
His piano music has exceptionally novel, exquisite weaves the body, alone charm melody and color rich and sound language.
从音乐内容,以及调式色彩、和声织体、节奏韵律、力度对比等音乐表现手法方面对储望华钢琴音乐具体作品加以分析。
Works of piano music by Chu Wanghua were analyzed from content and exhibiting techniques of music such as color of tune, harmonic texture, rhythm and balance of power.
其次,对贯穿于这部作品的具有黑人民间音乐特点的节奏以及在此基础上形成的钢琴织体进行了剖析。
Secondly, the article analysized the rhythm of American? s folk music of the black people and the piano texture based on these rhythms.
是人对律感、音感、调感、织体感、节奏感、结构感等音乐底基要素的不同感觉。
They are people's different feelings of such music essential elements as temper, tone, mode, texture, rhythm and structure.
这样心灵织体和音乐织体的共振,使我与他们较快进入了共情状态。
The resonance between the heart and musical texture makes us in the ideal state.
通过分析《幻想交响曲》第一乐章引子部分的和声、配器、织体和结构,来探讨标题交响音乐的表现手法。
This article attempts to make a research on the device of Title Symphony on analyzing the harmony, instrumentation, texture and structure on the introduction to Movement One of Symphonie Fantastique.
节拍听辨在视唱练耳教学中是较为重要的内容之一,在听记单声部音乐旋律、多声部音乐织体中常常会遇到。
Meter audition is one of the important contents in the teaching of sight-sing and ear training. It is one of the important contents in the listening and scoring of monophy and multi-voice part music.
本文从旋律、和声、调性观念、节奏、织体写法、配器和曲式等方面对二十世纪音乐语言的主要特征进行了论述。
This article discusses the main features of 20 th century music on the aspects of melody, harmony, mode concept, rhythm, texture composition, orchestration, and form.
本文从旋律、和声、调性观念、节奏、织体写法、配器和曲式等方面对二十世纪音乐语言的主要特征进行了论述。
This article discusses the main features of 20 th century music on the aspects of melody, harmony, mode concept, rhythm, texture composition, orchestration, and form.
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