在大诗人约翰·德莱顿所写的，押韵版的《失乐园》中能很明显看到，这中孤联诗句的机制。
You can actually see the mechanics of end-stopped verse quite clearly in the rhymed version of Paradise Lost that, admittedly, the great poet John Dryden wrote.
过去的语法规则不允许在句尾使用介词，比如“whomwe'veworkedwith”，但这是17世纪的散文家约翰·德莱顿（JohnDryden）的臭毛病。
The old rule against stranding a preposition at the end of a clause, like "whom we've worked with", was a peeve of the 17th-century essayist John Dryden.
比如说，人们从中了解到，约翰·德莱顿用拉丁语来指导他批评那些拿介词来结束句子的用法。
One learns, for example, that John Dryden used Latin as a guide when he condemned ending sentences with prepositions.
错误就象浮在水面的稻草；要想寻找珍珠就得潜到他的下面。- - - - - -约翰·德莱顿。
Errors, like straws, upon the surface flow; he who would search for pearls must dive below. — John Dryden.
欲采珍珠须潜深水- - -约翰·德莱顿，英国诗人。
He who would search for pearls must dive below — John Dryden, English poet.
错误就像浮在水面的稻草；要想寻找珍珠就得潜到他的下面。—约翰·德莱顿。
Errors, like straws, upon the surface flow; he who would search for pearls must dive below. -john Dryden.
约翰·德莱顿233。人易被所爱的人愚弄。
John Dryden 233. One is easily fooled by that which one love.
约翰·德莱顿233。人易被所爱的人愚弄。
John Dryden 233. One is easily fooled by that which one love.
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