这种设计方法是建筑设计过程和符号美学研究成果的一种结合。
This method is a way to combine the designing process with the aesthetics of symbol.
图像表意的强化与文字审美的式微正在改写这个时代的艺术社会学和符号美学。
Reinforcement of image ideograms and the decline of character appreciation are changing the artistic sociology and symbol aesthetics of this age.
朗格的艺术符号美学思想有两个主要理论来源，一是怀特海的逻辑符号论，二是卡西尔的人类文化符号论。
Langer's artistic symbolic aesthetic thought had two main theoretical resources, the first one was Whitehead's logical semiotics, and the second one was Cassirer's human cultural semiotics.
将符号美学观点引入产品设计风格的解读，对产品设计风格的符号学意义以及设计风格延续的符号学意义作了尝试性探析。
Introducing the view of semiotics aesthetics to the interpretation of product design, it made some attempts of semiotic significance of product design style and design style continuity.
整体看来，苏珊？朗格所探索的，是在艺术形式、艺术话语和符号意义里面的表现性和情感性这样的美学问题。
On the whole what langer explores are the aesthetic issues of expressivity and sensibility in the categores of artistic forms artistic discourse arid semiotic significances.
美学在词源学上根源于感知和感情，主要与物质相关，或是符号(本身也是物质)的精心安排。
Aesthetics, rooted as it is etymologically in the sensate and in feeling, is primarily concerned with matter, or in the calculated arrangement of symbols, which are in themselves material.
朗格为代表的符号主义美学，我们或许可以从根本上使矛盾得以解决。
The sign doctrine aesthetics drawing support from Sushanlangge probably can solve this contradiction really.
原子艺术是基于原子技术和原子媒介并以原子符号形式呈现美学元素的艺术系统。
Atomic art is a kind of atomic technology and atomic media-based art system displaying its aesthetic elements with the same way as atomic symbols.
刻划符号符合黄金分割率的构图，蕴涵了古代先民的美学思想。
The symbols'composition corresponding to the gold proportion, can not only reflect the esthetics thought of the ancients, but also contained enormous cultural values.
文字是一种视觉符号，具有较强的表意功能和美学功能。
Characters belong to a kind of visual symbols, strong at conveying meaning and aesthetics.
模仿论是一种理性主义的美学观，它肯定实在世界的中心地位和艺术家的艺术表现以及艺术符号可以真实地再现实在世界。
Theory of imitation is a kind of rationalist aesthetic conception which admits that the central position of reality and artists' artistic expression and art symbols can truly reproduce reality.
卡西尔的“符号学美学”理论是建立在他的人类文化哲学的体系之上的。
Cassirer's theory of "semiotic aesthetics" is based on his philosophic system of ethnolinguistics.
俄语数字符号所蕴藏的文化涵义丰富多彩，它从一个侧面反映了俄罗斯民族的宇宙观、美学观及民俗观。
Numbers in Russian have a variety of cultural connotations, reflecting the world outlook, aesthetics and folk custom of the Russian people.
非语言符号在交际中的应用是一种言语现象，并且非语言符号的替代语言性在交流对话中是一种不容忽视的表达手段，因此从美学语言学角度分析替代语言的符号是非常有价值的。
The application of nonverbal signs is a matter of speech event and also nonverbal signs substituting verbal and written ones in daily conversation are means of communication that can't be neglecte.
本文从图案、色彩等方面详细解析龙袍象征符号的内涵，探索那个时期中国宫廷服饰艺术风格所呈现的总体倾向和美学风貌。
This paper tries to explore the general trends and aesthetic features of costumes in Chinese palaces at that time by analyzing the symbolized connotation of dragon robes from design and colours.
德国学者卡西尔的符号论美学理论，作为其独特的符号哲学的一个重要组成部分，对20世纪西方美学产生了广泛而深远的影响。
The theory of symbolic aesthetics, as an important part of Cassirer s symbolic philosophy, possesses a wide and profound influence on western aesthetics in the 20th century .
符号学美学属于美学的一个分支。
中国美学范畴有其独特性：从符号形态看，具有象喻性；
Chinese aesthetic categories have their unique characteristics: from the point view of semiotic forms, they are imagerial;
利用符号学以及符号学美学的方法来系统地剖析中国古代书籍装帧艺术，可以发现书籍装帧艺术是一套典型的符号系统。
Analyzing traditional Chinese book design art by semiotics and semiotic aesthetics, we come to the conclusion that the book design art language is a typical sign system.
通过对土家织锦的技艺、形式、风格的分析，总结土家织锦的形式美学风格；通过对土家族族源的梳理揭示出土家织锦纹样符号隐喻中的深层次审美文化内涵。
On analyzing Tujia brocade's technique, form, and style, this thesis summarizes up its characteristics in form and reveals its cultural connotations hidden in the designs of Tujia brocade.
结构主义、解构主义、符号现象学、接受美学和接受理论等，都从这里找到了自己的理论根据。
Such as "constructionism", "Deconstructionism", "Symbolism Phenomena", "Acceptance Aesthetics" and "Acceptance Theory". All take it as their theoretical basis.
摘要恩斯特·卡西尔尽管不是一位专门致力于艺术研究的纯美学家，但却在“视觉符号学”方面贡献巨大。
Ernst cassirer is not a pure aesthete who specializes in the art study, but he makes enormous contributions to the "visual semiotics."
摘要恩斯特·卡西尔尽管不是一位专门致力于艺术研究的纯美学家，但却在“视觉符号学”方面贡献巨大。
Ernst cassirer is not a pure aesthete who specializes in the art study, but he makes enormous contributions to the "visual semiotics."
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