符号学是什么？
它们散发出的花香，穿过了窗户飘进《符号学 211》的教室里。
They sent out a perfume that drifted through the windows of Semiotics 211.
任何能以语言形式表达的事物（包括口头及非口头的）都被认为是符号学研究的对象。
Everything that is or can be organized under the language form (verbal or not) its considered as a semiotics study object.
德曼在其《符号学与修辞学》中提到,在任何说出的话中语法和修辞间,存在着永恒的对立。
This is the point that de Man is making in Semiology and Rhetoric that there is a perpetual tension in any utterance between grammar and rhetoric.
《符号学 211》这门课只收十名学生。
在《失落的符号》中，哈佛大学的符号学教授罗伯特·兰登又回来了，这一次是探寻华盛顿的权力秘密。
The Lost symbol brings back Harvard University symbology professor Robert Langdon, this time prowling the corridors of power in Washington, d.c..
不过，到了第五个星期，出于一些完全与课堂无关的原因，符号学开始变得有些道理了。
But then, in Week Five, for reasons that were entirely extracurricular, semiotics began making sense.
符号学自身并不是文学理论。
总之，关键是政客们没有理由被排除在这种符号学之外。
Anyway, the point is that there's no reason politicians should be exempt from this sort of semiotics.
把人本主义，心理学，符号学和设计糅合到一起，我们得到的是“交互设计”。
现在，季波斯坦在新创建的“符号学研究项目”中教两门课程：上半学期的《符号学概论》和下半学期的《符号学 211》。
Now Zipperstein taught two courses in the newly created Program in Semiotic Studies: Introduction to Semiotic Theory, in the fall, and, in the spring, Semiotics 211.
索绪尔和其他符号学家都很关注的一件事就是，符号学对于，任意一种文学理论的影响。
The important thing about Saussure and the discipline of semiotics is the incredible influence that it has had on virtually every form of subsequent literary theory.
原来在平面设计中我们正在广泛运用的许多手法背后，都隐藏着符号学原理的影子，在图形设计中也存在着这种现象。
Originally in graphic design, we are way behind many of the widely used, are hidden in the shadow of semiotic theory, in the graphic design there are also a phenomenon.
通过符号学原理，分析了在游戏和动漫中的符号化、不同类别符号的应用以及符号的特性。
Through the semiotic theory, analyzed the symbolic, different kinds of symbol and symbolic characters in the Game and Animation.
作为设计者的我们，学习运用符号学的工具，会使设计更具有效的功能。
As designers we have to learn to use semiotic tools, will design a more effective performance.
在从语言学角度向符号学的转换中，在后现代视觉文化领域，集合成为了一种被广泛运用的言说方式。
In the postmodern visual cultural field, and in its transference from linguistics to semiotics, assemblage becomes a widely used mode of utterance.
对反讽的概念的阐释，应该有符号学、语用学和哲学三个阐释维度。
The concept of irony should have three interpretive dimensions: semeiology dimension, pragmatics dimension and philosophy dimension.
符号学，就是辨语义含混之技术学。
Semiotics, that is identified semantic ambiguity and Technology Studies.
我们必须耐心等待，在类人猿符号学翻译工作完成之前，我们并不知道这样做是否会给动物带来痛苦。
We must wait until the simian symbology interpreter is finished to know if we're causing the animal any pain.
我需要符号学方面的帮助。
确立这些原则的依据是符号学的翻译观和商标命名的宗旨。
The translative principles which are on the grounds of the translative viewpoint of semiotics and the purpose of brand naming include adaptation, relation and concision.
本文从符号学的角度对广告翻译进行了尝试性的探索。
This dissertation made an attempt in exploration of advertisement translation from the semiotic perspective.
结合符号学的观点，提出旅游产品的价值不仅包含使用价值和价值还应包括符号价值。
Combining semiotic perspective, the value of tourism products made not only contains the value and value should also include the symbol value.
符号学肯定了主体与符号客体之间的意向性关系。
Semiotic affirms the intentional relationship between the subject and the semiotic object.
符号学肯定了主体与符号客体之间的意向性关系。
Semiotic affirms the intentional relationship between the subject and the semiotic object.
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