晚唐以后，北方中原已经没有石窟造像作品出现。
After the late Tang dynasty, there were no new grottos appeared in northern China.
万佛山摩崖立佛龛下奉鱼飞天乃为供养天，是北魏佛教汉化过程中特有的文化现象，表现了中原文化对外来佛教神祇的改造与重塑，是地域文化和民俗信仰在石窟造像中的反映。
The apsaras holding fish in Wanfoshan Grotto is a provider for the deity, which is a special cultural phenomenon in the process of chinesizaton of Buddhism in Northern Wei Dynasty.
本文通过对龙门石窟1034窟的客观报告，探讨了洞窟的开凿简史，并对一些造像题材加以确认。
The article reports impersonally the cave 1034 at Longmen Grottoes, discuss the brief history of the cave and affirm the subject matter of some statues.
过去，由于对云南石窟与摩崖造像研究和宣传不够，致使在中国石窟艺术史上没有给予它应有的地位。
In the past, insufficient research and propaganda brought about the poor situation of Yunnan grottoes and bas-reliefs on precipices in China's history of grotto arts.
云冈石窟背光，与佛教造像同期出现，与云冈的艺术源流有直接关系。
Back light in the Yougang Grottoes, appeared together with Buddhist statues, had direct relations with art origin of the Yungang Grottoes.
云冈石窟背光，与佛教造像同期出现，与云冈的艺术源流有直接关系。
Back light in the Yougang Grottoes, appeared together with Buddhist statues, had direct relations with art origin of the Yungang Grottoes.
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