这种媒介特质促使戏曲电影的观众产生有别于舞台戏曲观众的感知特点——看戏的幻化；
During the course, medium different from stage opera is used, which produces dissimilar apperceive of spectator with the stage.
在转场的时候，她打量着在前排座位上和包厢里看戏的那些光彩照人的观众，对纽约潜在的种种机会，有了一种新的认识。
Between the ACTS she studied the galaxy of matinee attendants in front rows and boxes, and conceived a new idea of the possibilities of new York.
伊丽莎白一世时代的戏剧观众；在低廉的观众席上的看戏的人。
In Elizabethan theater: a playgoer in the cheap standing section.
伊丽莎白一世时代的戏剧观众；在低廉的观众席上的看戏的人。
In Elizabethan theater: a playgoer in the cheap standing section.
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