这是一个愉快的处理电影手法！
保罗：当然！我最担心的就是他们会不会以好莱坞的电影手法擅自窜改保罗这个角色，让保罗无法继续担任饭店经理。
PR: Definitely. My main concern was that Paul remain the hotel manager—not be transformed and manipulated in that Hollywood way of doing things.
本文从影片的叙事主题、风格类型、光影、色调、构图等一系列的电影手法和独具意义的影像语言诸方面进行了深刻解读。
The general law of concrete image drawing composition is revealed from the three systems of shape language, color language and picture structure language.
我把这部电影称为“模仿希区柯克导演手法的平庸之作”。
看看《秘室》的广告，你就会发现电影制作方在想尽一切办法使老套的手法增色。
Look at the ads for Chamber of Secrets, and you'll see that the filmmakers are doing all they can to juice up the formula.
他总是在自己的电影中运用细腻刻画和淡化手法。
He always goes for subtlety and understatement in his movies.
这部电影既不企图使用戏剧化的手法也不企图进行说教。
那部电影以倒叙的手法描述了一个没有短期记忆的男人的故事，这个错综复杂的故事情节在网上激起了影迷的热烈讨论。
That film provoked intense Internet debates about its puzzling story, which was told backwards from the point of view of a man with no short-term memory.
当然，这些都没什么特别不寻常的——毕竟，塔伦蒂诺是电影届的喜鹊，他的作品很多手法和图像都是来源于其他电影的。
Of course, that's not entirely unusual - after all, Tarantino is a movie magpie, and his work has always been informed by the tropes and iconography of other movies.
不过他也用了电影的惯例手法来制作工作室里的图片——这叫做人工修饰——也就是使生命看起来在它最另人艳羡的时候。
But he also used movie conventions to make even studio photographs-which are by definition artificial-appear to be life at its most enviable.
贾曼的文字，如同其韵律所营造的感觉一样(亦为其电影之重要手法)，精确到位地抓住了那瞬时触动并审美之距。
Jarman's words, including the feelings produced by their rhythms (also a key feature of his films), capture experience with at once emotional immediacy and aesthetic distance.
帕克运用倒叙的叙事手法漂亮地导演了《鸟人》。这部电影是根据威廉·沃顿的同名小说《鸟人》改编的，电影《战火赤子心》亦为威廉·沃顿所著。
Alan Parker directed this film (from the novel "Birdy" by William Whorton, who also wrote the source novel for "A Midnight Clear") with a flashback narrative which works beautifully.
导演手法巧妙地着意渲染使电影更增添恐怖气氛。
The director cleverly atmosphered the film for added chills.
不管是故事还是拍摄手法什么的,这部电影都与其他电影很不一样。
The story and the making of it, or whatever it is, it is something which is very different.
在一招一式中，他们捕捉到这些在电影史上难以抹去的瞬间。这种表现手法，迄今没有电影能够实现。
In a single gesture, they capture an indelible moment in film history in a way no film still possibly could.
电影中有一个象征手法的运用的意义在我看来倒是非常清楚的，就是日本鬼子对剧中两个人物三炮和罗汉执行死刑的场景。
One use of symbolism which did seem evident to me was the use of the Japanese execution of two characters in the story, San Pao and Liu Louhan.
斯科塞斯是驾驭这部电影的合适人选，他对电影的热爱和表现角色的酷冷、大男子气概的娴熟手法已经使这部影片成功了一半。
Scorsese is the right director to helm such a picture, his love and deft handling of cool, macho packs of guys is half the battle.
这部电影取材自漫画，全片充斥着无聊的馊主意，但是在处理却也并未沿用那些庸俗无脑的处理手法。
It looks like a film that knows it's got silly ideas and is a comic book movie, but isn't handled in a cheesy or overly goofy manner.
电影名称根据片中主角从事的职业命名，并且用隐喻的手法来象征我们的身体部位、我们的身份和我们的自我观念。
The title takes its central character's profession and turns it into a metaphor for our bodies, our identities, our perceptions of ourselves.
很少工作室有这个数字追踪技术设备，来帮助电影制作者设计拍摄手法。
Few other studios have the digital tracking technology, which helps filmmakers plan shots.
我不知道，如果你们看过那部电影，当然，有很多电影都描写过这一点，其中一部较早的，电影表现了这一手法——《谁谋杀了兔子罗杰》？
I don't know. If you've ever seen a movie - well, there are lots of movies that do this; one of the first movies that did this was "Who Killed Roger Rabbit?"
比利时导演让·皮埃尔·达登和吕克·达登的作品 《罗尔娜的沉默》拍摄于比利时的列日，电影超越了实用性自然主义的叙事手法，采用了大量象征性和戏剧化元素。
In “Lorna’s Silence” (Sony), the Belgian directors Jean-Pierre and Luc Dardenne, shooting on location in Liège, use symbolic and theatrical elements to transcend practical naturalism.
这就是2002年aleksandrSokurov的电影《俄罗斯方舟》的拍摄手法——整个电影(2小时16分)是一个连续的拍摄过程。
This is how the 2002 drama Russian Ark by Aleksandr Sokurov was made — the whole movie (2 hours, 16 minutes) is one continuous shot.
电子游戏可以很容易制造出分别给左右眼看的图像，但对于大多电影和电视节目来说就有些困难了，因为它们在拍摄过程中就没有用3d手法。
A games console can be programmed to produce separate images for left and right eyes relatively easily, but most films and television programmes are not shot in 3-d.
为了使你们明了目前我对该问题的想法，我附加了一篇我最近关于查理·卓别林以及现代诗歌如何应用源于电影的意象手法。
To give you a sense of my current thinking on these issues, I append a recent essay (by me) on Charlie Chaplin and how modernism poetry USES image-techniques derived from film.
二维电影通常用的拍摄手法——两个角色并排站着，用很简单或者模糊的背景作衬——三维电影中却不常用。
Typical shots that have been used a lot in 2D filmmaking--two characters standing side-by-side, against a plain or a blurry background--really don't offer that much in 3D.
这部短片结合电影和动画的手法，描述了两个不同而又和谐的，结合了幻想与真实的领域。
The short cleverly combines film and animation to better portray two different but cohesisting realms, fantasy and reality.
这部短片结合电影和动画的手法，描述了两个不同而又和谐的，结合了幻想与真实的领域。
The short cleverly combines film and animation to better portray two different but cohesisting realms, fantasy and reality.
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