它是一种不仅仅具有RDF世界观的产品。
收集完需求之后，要有一个“大局观”，软件架构代表了当前对该产品的认识。
After the requirements are collected, a "big picture" is to be drawn, the software architecture which represents the current understanding of the product to be built.
资源观的奠基人，沃纳菲尔特也持同样的观点并坚持“对企业而言，资源（定位）和产品（市场定位）是同一枚金币的两面。”
The founder of the resource-based view, Wernerfelt, also shares the same idea and maintains that ‘for the firm, resource [position] and products [market position] are two sides of the same coin.’
这些正是观致汽车品牌和产品背后的重要驱动力。
These are the key drivers behind our brand and our products.
‘智能衣柜’是一个很有吸引力的实用型产品，鼓励人们合理消费衣物。我希望它最终能引导人们建立正确的时尚消费观。
The connected wardrobe is a practical, engaging concept to encourage people to think about their clothing consumption. Ultimately, I hope it will encourage more ethical fashion consumption.
他们更自然地凭直觉做事情， 发自于他们的世界观的直觉，而不仅仅是因为市场上有什么样的产品。
They're more comfortable making those intuitive decisions that are driven by what they believe about the world and not just what product is available.
里闭于宏大的数字IC产品，如何从观的、订量的评价它的机能火平败了一项从要义务。
Faced with a great amount of digital IC products, it becomes an important task how to evaluate its performance objectively and quantitatively.
地鸷品牌标记，用一类反映疾速的的鹰种(鸷鸟)的图形往做替GPS订位体系品牌抽象，活泼曲观，体隐产品订位。
Kenji brand LOGO, with one kind of response fast hawk class (birds of prey bird) the graph took the GPS positioning system brand image, vivid is direct-viewing, manifests the product localization.
质量观……产品(工作)质量是人品的具体体现。
Quality...... Products (work) Quality is a concrete manifestation of character.
产品不单单在微生物指标上达到了出厂标准，在质构、感观指标上也达到了要求。
The products not only attain the standard of leave factory on the microorganism amount, but also the sensory quality and gel TPA criterion.
感观质量要求：产品必须有符合本产品的典型的外观，气味，口味，没有任何难闻的气味。
Organoleptical Requirements: the product shall have a typical appearance, odor, flavor, texture without offensive odor and flavors.
公司秉承“质量为根，诚信为本”的经营宗旨，以“零缺陷”的质量观，严格按照ISO9001：2000质量标准，组织产品生产及进行品质控制。
We take orders as Qulitiy the base, good faith the root to be our aimed goal and insist on the concept of Zero defect and therefore follow ISO9001:2000 strictly to control the production and quality.
本文探讨了非物质设计观的产生以及非物质设计观对产品设计的影响。
This article discusses the appearance of non-material design concept and the influence of this concept on product design.
上海广告公司观驰推出新加坡一姐范文芳2009年为中国护肤产品伊琳娜水活力系列升级版鱼籽酱渗透精华液拍摄的电视广告拍摄幕后花絮。
Shanghai advertising agency Gwantsi releases their behind the scenes clip of Singaporean actress Fann Wong's 2009 beauty product endorsement in China, Elina Active Penetrate Moisture Essence.
传统教育质量观与现代教育质量观的根本变化是：实现了从“合格产品”到“用户满意”的转变。
The radical change between traditional education quality views and modern education quality views is achieved the transformation from "eligible product" to "custom-satisfied products".
在2005年成功研发天然“丹旗参”品牌保健系列产品铁观茶、乌龙茶、普洱茶、红茶、绿茶、茉莉花茶。
In 2005 the successful development of natural, "Danqson" series brand health products Rail outlook tea, oolong tea, Pu 'er tea, black tea, green tea, jasmine tea.
果汁产品清泽透明，感观良好，卫生指标达到和超过了国家相关标准要求。
It has a clear and transparent appearance, with hygienical indicators at or over the specifications stipulated by the corresponding national standards.
在这种能够率先体验高科技产品的场合，我向来都是“勇猛精进”，此次也借机彻底地体验了一番苹果手表的感观。
Never one to shy away from tinkering with shiny—and boy, were the display models shiny—new gadgets, I stayed well past my welcome to thoroughly get a feel for Apple's Watch.
探索了用橡木宛栲胶植鞣黄牛皮沙发革的工艺，分析测试了所鞣坯革的物理及感观性能，为植鞣牛皮轻革产品提供了一些理论与实验依。
This paper have studied vegetable tanning technology of cowhide light leather with modification volanea extract for chief tanning agent and with yellow cow taw for raw skin.
但是，消费者的爱好却不同，因为他们明显更喜欢消费无脂、瘦肉型产品，而大理石纹肉在消费者眼里感观质量并不是那么好。
However, consumers preferences differ, since there is now a clear tendency to consume more and more fat-free products and, as a result, the sensory quality of these products by consumers may be lower.
锐驰始终信奉“少则得、多则惑”的产品设计理念，将人本主义设计观根植于产品的每个细节里。
CAMERICH believes in "Less is More", and highlights the "people-first" principle in every aspect of its product design.
本文以手机为例，从手机产品设计的表面风格特征入手，由表及里，从现象到本质，分析和研究其中所折射的优秀形态观。
This article analyzes and researches the Morphologic View of Design from the handsets. The style characters of handsets are compared from phenomenon to essence.
本文以手机为例，从手机产品设计的表面风格特征入手，由表及里，从现象到本质，分析和研究其中所折射的优秀形态观。
This article analyzes and researches the Morphologic View of Design from the handsets. The style characters of handsets are compared from phenomenon to essence.
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