对于他们来说，这些不是一个为观看而“创作”的作品，而是他们对于自己的生活影像日记般的记载。
For them, these photos are not productions created to reach an audience, but rather a video journal of their lives.
上帝之民中出类拔萃的家伙，有时想到那些与死亡的影像一起生活的心智，就不由地会产生怜悯，但同时也会有一丝胆颤。
The best among the men of God occasionally are seized with fright mingled with consideration and pity for minds that can live with such an image of their death.
3-D影像是另外一种时尚界将发布会传播到日常生活的方式。
The 3-D video is another way that fashion is bringing shows to life.
上面是我收集来的图片和影像资料，他们生活的记录着一些个故事，不管食源来至何处，价格涨了多少。
After collected these images and also some video — its clear there is a story here, whether it is on the city of produce itself or rising food prices.
梦想是理想生活的影像——换句话说，梦想是一个把你从A带到B点的装置。
Dreams epitomize the way you want to live your life — Goals, on the other hand, are simply a device to get you from Point a to Point B.
电视媒体通过对影像的编码，与消费文化形成共谋，充斥并影响着人们的日常生活。
Cooperating with consumer culture, the media of TV plays an very important role in daily life by encoding the images.
影像定义了我的生活并连续为我打开通向更神秘世界的大门。
The images defined my life and opened successive doors to even more magical worlds.
他希望自己的生活再多一些甚么，因此有兴趣参与我们的纪录影像活动。
He wants life to be a little more exciting and expressed interest in participating in our project activities.
这位14岁的少年，用生动的影像记录着生活，更让网络，成为了展示他眼中世界的精彩窗口。
This is 14-year-old young, use a vivid image record life, more let network, became demonstration the his eye middle period boundary of fascinating window way.
第一单元《遗忘的时光》，展示关于社会生活场景的影像。
The first part is the Time in Lost which is about scenes of Social life.
她不只利用底片来捕捉人们的影像，她也捕捉了相中人物的生活情形。
She captured not only images of people on film, but also the conditions under which they lived.
其次，影像媒介包围了我们的生活，而在大量的影像面前，虚拟与真实的界限开始变得模糊。
Secondly, image media close in our life, and the circumscription between dummy and reality became blur.
这些是深海鳕鳗的首次活动影像–这是一种能够比其他任何已知鱼类在更深的海水中生活的鱼。
These are the first-known moving images of the abyssal cusk eel – a species of fish that can live deeper in the sea than any other known fish.
鼓励年轻人用影像说故事，交流另一种生活的观点。
Encouraging the younger generation to speak their minds through images, and exchange alternative perspectives of life.
随意取材，穿行于目的地之间，这些影像的最终取得，得益于处于一个极具当代性的中国女性稍显乏味的生活状态。
Taken during the gap periods, travelling between destinations, these pictures are the result of a state of slight boredom developing in the affluent contemporary Chinese woman.
但纪录片本身却有一条不变的创作理念，即用真实的影像来反映生活，记录历史。
But in the documentary itself, there is a constant creative idea that USES the real images to reflect the life and record history.
我感觉我的生活是完全和别人隔开的，我像一个动物般思考，肤浅又谵妄，只有些破碎的脑内影像。
I felt that my life was completely isolated from the rest of the world. And I was thinking like an animal, shallow and delirious, with only fractional images in my mind.
记录真实生活的场景、用影像保存真实历史的片段，这是纪录片最为基本的社会文化功能。
Documentary has quite a few functions. Its most basic cultural function is to record the real life and the historical fragments.
在无边黑夜的掩护下，借助先进成像科技才使得摄影师马丁·多恩得以用影像记录非洲大草原夜晚的动物生活。
Pioneering camera technology has allowed photographer Martin Dohrn to film animal life on the African plain at night, under cover of complete darkness.
消费文化是后现代主义视域下正在经历的一场文化变迁，以物作为媒介和以符号、影像为特征的广告充斥着社会生活。
In view of postmodernism, consumption culture is experiencing a cultural change, with the feature of materializing media and symbolizing AD congesting social life.
我们《生活》杂志愿搭一座最好的平台，让镜头前的人们也能沾未来人们的光看到自己的影像。
We CITY MAGAZINE would wish to present with the best platform for people in the photos to view images of themselves, as benefit from future generations.
它从客观现实的事物中摄取影像，以生活里真实的、动态的典型瞬间摄影技巧来反映生活、记录生活，让读者感到真实可信、形象鲜活。
It grasps the image or photos from objective reality, and reflects or records the real life with its camera technique on the basis of some true or dynamic moments.
分别以影像世界、赛博空间和身体审美为研究对象，主要分析了它们对日常生活审美化的积极的建构意义。
By studying image world, Cyberspace and body aesthetic, this part analyses their positive construction significance on "the aestheticization of everyday life" mainly.
随着消费社会的来临，在科学技术的推动之下，我们的社会生活进入了一个以虚拟影像为主要特征的狂欢盛宴。
With the advent of consumer society and in the promotion of science and technology, our social life has gone into a banquet, which characterized in being full of the virtual imaging.
影像正是这样成为了我们生活的第二现场，我们正是如此的在影像中生活着。
The image became us a life so the second the spot, we were exactly such to live in the image.
一旦明白了得救本乎恩的意思，我们便乐于在个人生活和在教会里，成为反映神恩典的影像了。
Once we have understood what it means to be saved by grace, we are ready to become reflectors of God's grace in our personal lives and in our churches.
一旦明白了得救本乎恩的意思，我们便乐于在个人生活和在教会里，成为反映神恩典的影像了。
Once we have understood what it means to be saved by grace, we are ready to become reflectors of God's grace in our personal lives and in our churches.
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