在这章本文主要就福柯所提出的“自身技术”，进一步概括分析出其生存美学的思想内涵。
In this chapter, it'll further analyze the survival aesthetics connotation of the "Technologies of the self", on the basis of the Foucault's "Technologies of the self" thought.
笔者认为有必要对福柯思想中的主体维度进行一个整体考察，由此系统梳理福柯“生存美学”思想的来龙去脉。
The author thinks that it is necessary to study the subject as a whole in all the works of Foucault, whereby we can clarify the origin and development of his concept of the Aesthetics of Existence.
在现代权力的针对生命的保障中，发现生命外在于权力的可能，为生存美学自我创造的主体开启了新的生长空间。
In the modern authority in view in the life safeguard, discovered that life external in authority possibility, has opened the new growth space for the survival esthetics self-creation's main body.
大脚美学：恢复景观建筑，将设计当成生存的艺术。
The Big-Foot aesthetic: recovering landscape architecture as the art of survival.
20世纪下半页以来，消费时代的来临使得美学学科的生存语境及话语方式发生了巨大的变化。
Since the second half period of the 20th century, the approach of the consumerism ear has inevitably changed the aesthetics context and discourse.
材料的美学或道德价值可以不断被争论，但在当下人工环境中的生存之道，或许不自然，却是紧迫需要的。
The ethical or esthetic value of material can be always argued, but a life style, maybe un-natural, in today's synthetic environment is pressingly needed here.
他也正是借文化这一平台来揭露纷繁的人生真相，并作为其个人在复杂的现代性境遇中的美学立场和生存态度。
He also exposes the complex life truth by cultural platform, and makes it as individual esthetic standpoint and survival attitude in complicated modern circumstances.
紧紧围绕着生存的主题，我们将一种极度程序化的表现方式变成了一种电影的美学标准。
We went from a more heavily stylized approach, to a grounded filmic aesthetic. The message was always about survival.
美学与哲学所关注的想象更多的是一种诗性智慧与诗意生存。
However, imagination that aesthetics and philosophy follow with interest is more like a poetic wisdom and poetical living.
他把一种中国历史上从未有过的荒谬的审美体验，破天荒地带给了中国有史以来生存其中而且非常熟悉的美学世界。
He brings an unprecedented absurd aesthetic experience into the aesthetic world that the Chinese have been living in and are familiar about.
徐坤对都市职业女性生存现状和精神世界的关注与探讨，对都市文学建设具有极高的思想价值和美学意义。
Xu Kun's exploration of the female professionals' existence and mental world is of high ideological and aesthetic values to the development of the urban literature.
现代西方哲学关注生存论，现代西方美学表现为主体间性。
Contemporary western philosophy that concerns the subsistence theory is inter-subjective and contemporary aesthetics is characterized by inter-subjectivity.
海德格尔诗学始终秉持对人的生存和万物的存在的关注，这使它区别于传统美学与诗学。
Heidegger's poetics have always maintained concerns to the survival and existence of human and everythings on earth, which makes it different from traditional aesthetics and poetics.
在一系列美学的变化中，科技因素的影响是极其深远的，甚至可以说，科技环境成为了20世纪美学的一个生存情境。
In a series of Aesthetics change, the technical factor influence is extremely profound, even may say, the technical environment has become a 20th century Aesthetics survival situation.
狂欢式写作揭示十七年时期小人物的生存本相和社会存在的真实问题，使作品具有超越时代的社会意义和美学价值。
The carnival writings reveal the living nature and the true problem of social being, and make the works have super-epoch social significance and aesthetic values.
而把审美当作人的一种生存状况，一种人生境界，是中国传统美学的一大特色。
Regarding aesthetics as one's real situation of living, a state of life, that is one of the most distinctive features of China's traditional aesthetic approach.
至于其思想内涵则深刻表现出对“个人生存”的极度美学化关怀。
As for its thought, it expresses a connotation of extremely aesthetic concern on "personal survival".
追求艺术化的人生，倡导理想的人生生命状态以及对自然万物的钟爱，成为宗白华美学给予现代人生存启示的源泉所在。
It was the source of enlightening contemporary life to pursue artistic life, advocate the ideal state of life and love nature.
本文旨在从美学的角度观照网络艺术何以产生以及它的产生存在对艺术领域和人类审美观念的影响。
This paper aims to reflect reasons of the generation of network arts, its influence of arts and aesthetic concepts of human from an aesthetic visual Angle.
这时期的美学思想自然要反思生命或生存本身，直接表现出生命的境界，找寻慰安生命的方式。
Aesthetics of this period will naturally reflect on life or survival itself, directly demonstrated the realm of life, to search method for making life to be comforted.
其二是立足个体生命的现实，从感性、自由、生存、生命、超越等立场反思美学，批判美学。
It was to re-think and criticize the aesthetics on the position of individual existence, including perception, living, life, freedom, and surmount.
第六章讨论对话美学的生存论意义。
The last chapter discusses the significance of the dialogism to being.
第六章讨论对话美学的生存论意义。
The last chapter discusses the significance of the dialogism to being.
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