这里并不是弗兰德斯战场，但是照片中的场景并不比战地诗人约翰·麦克莱所见到的逊色。
It's a long way from Flanders Fields, but these pictures are no less spectacular than the inspiration for the wartime poet John McCrae.
不仅仅是旧片重制那样简单，导演马特·哈洛克和保罗·托马斯生动的再现了比尔在照片中的场景，并且采访了当时在场的人。
Rather than simply relying on found footage, directors Matt Harlock and Paul Thomas have ingeniously animated actual still photos of Bill to recreate the scenes their interviewees describe on screen.
完成这样的任务中，我们需要保持环境光，并且需要正确的用光技巧，我们需要拍摄每一个物品，从场地的布置到餐桌的摆饰，通过这些技巧将整个美丽的场景保存在照片中。
We need to capture each item, from the place settings to the centerpieces, with techniques that show the beauty of the entire scene in some images and show the small detail in others.
对任何场景要有事先的预见性。假如你的拍摄对象在行走，可以把领头的动物摄入照片，并在图片中加上有显著特征的自然景色。
Try to visualise any scene in advance; if your subject is walking, have the animal leading into the picture and use prominent natural features to frame the shot.
照片中的灯在其他场景下或许并不起眼，但由于有了大量空白区域，它成了眼睛唯一停留的目标。
The lamp in this photo may go unnoticed in another setting, but with the large amount of blank space, it is the only object on which the eye can rest.
理想状况下，一个三维场景中的每个局部都应该在至少三张照片中有所体现，而且相互之间要有50%的重叠。
Ideally, portions of each slice of a 3-D scene should show up in at least three photos, with 50% overlap between them.
照片中特殊的视角和强烈的明暗对比，使这些看似肮脏及混乱的场景和事件变得如梦幻般的震撼人心。
In his photographs unexpected camera angles and dramatic chiaroscuro effects transform the occasional squalor and chaos of the actual events into powerful dream-like images.
照片中特殊的视角和强烈的明暗对比，使这些看似肮脏及混乱的场景和事件变得如梦幻般的震撼人心。
In his photographs unexpected camera angles and dramatic chiaroscuro effects transform the occasional squalor and chaos of the actual events into powerful dream-like images.
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