在一个窗口中同时控制场景内所有或所选灯光的强度和颜色。
Control the intensity and color of all or selected lights in the scene in one window.
当球场灯光(泛光灯)和天空的光线强度相吻合时，可以拍出效果非常好的图片。
You can get some lovely pictures of grounds when the level of light inside the ground (created by the floodlights) matches the level of light in the sky.
我们也可以变更强度的灯光。
使用这个技术你可以对灯光进行很多控制，位置，强度，颜色，更重要的是它提供了生成阴影的一个绝好的系统。
Using this technique you have a lot of control over the positioning of your lights, intensity, color, and much more, making it quite a good system to use for shadows.
当另一辆车从对面开来时，他减弱了他的车灯光线强度。
The lights of his car dimmed when another car was coming from the opposite direction.
而利用透镜和反光镜的辅助设备可使灯光强度倍增。
Refinements in lenses (e. g. , the Fresnel lens) and reflectors made it possible to substantially increase the light's intensity.
通过使用配备的灯光系统，用来根据光线摄入量自动控制光线强度，对自然光进行利用，从而有助节约能源。
The exploitation of natural light contributes to energy saving through the use of a lighting system equipped to automatically control the light intensity depending on the intake of light.
另外如果你认为屏幕灯光太亮，可以调整的“幻彩强度”选项了。
Also if you think that the screen lights are too bright, you can adjust it with the "lights intensity" option.
同时为解决脉冲氙灯光源强度不一致的问题，采用了双光电路同步并行触发工作的结构。
To solve the problem that the pulsed xenon lamp has the inconsistent intensity, the instrument USES a double-circuit with synchronous parallel triggered structure.
黑暗的场景不等于昏暗的场景。 如果你渲染一张夜景或是昏暗的室内场景，别只把灯光强度调小就完事儿了。降低填充光强度，甚至加一层蓝色给它降温，这都行。 但别忘了给场景中某些元素足够的光照。
Dark scenes do not mean under-exposed scenes – If you have a night-time scene or a dark interior scene, don't just turn down the intensity of all the lights and call it a day.
灯光强度也轻了单独的设置，而它在充电，因此您可以使用您的夜间时钟不同的选择。
Lights intensity also has separate Settings for light while it is in the charging, thus you can use different options for your night time clock.
在这张图片里，可以看到vray灯光设置，并用HDRI作为强度设置，这将会产生场景里的大部分灯光。
On this image, you can see the VrayLight-Dome setup used which has the HDRI as its intensity, and will be in charge of generating most of the lighting of the scene.
我们将区域光分组成两个不同的设置，分别调节颜色和强度以适应我们每一张图片灯光品质的需求。
We grouped area lights in two different sets, to be able to adjust color and intensity separately to fit our needs in terms of quantity and color of light per image.
我们将区域光分组成两个不同的设置，分别调节颜色和强度以适应我们每一张图片灯光品质的需求。
We grouped area lights in two different sets, to be able to adjust color and intensity separately to fit our needs in terms of quantity and color of light per image.
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