本文的重点是对海报艺术的意象和意境进行研究。
This paper focused on the research of image and artistic conception of poster art.
从19世纪下半叶以来，海报艺术就以它独特的魅力在视觉传达体系中确立了其崇高的地位。
Since the second half of the 19th century, poster art has established its superior position among visual communication system on the strength of its unique charm.
在丰富的视觉语言、独特的个性风格和创意的背后，海报艺术隐藏着深沉的内涵，更多的是某种思想和时代美学的反映。
In the rich visual language, unique individual character style and creative back, poster art hide the deep connotation, is more of a thought and reflection of the Times aesthetics.
他在镇上到处张贴海报，宣传他举办沙堡艺术节的计划，老少皆可参与。
He hung his posters everywhere in town, announcing his plan for a day of sandcastle artistry—all ages welcome.
不用再购买海报或者打印的照片，我们可以简单地买一些可弯曲显示设备，然后载入数字艺术数据 --如果他们不是特别昂贵的话。
Instead of buying posters or photography prints, we could simply buy a few flexible displays and load digital art into them—assuming they’re not prohibitively expensive, that is.
想想哪个更值钱：是一份沃尔玛里卖的50000份艺术海报中的一份呢，还是一位油画家亲手签名的油画？
What is more valuable, an art poster that Wal-mart ordered fifty thousand copies of, or a hand-signed, one of a kind oil canvas?
黄色的碗橱来自宜家，音乐海报来自一位本地的艺术家。
The yellow buffet is from Ikea and the music posters are from a local artist.
以下荟萃只是众多极富创意和艺术感的海报设计中的一部分。
Here is a roundup of only a few of so many really creative and artistic poster designs.
不受商业考量的约束同时被一句格言激励着 – ‘让我们做些和西方世界不同的事情’ –艺术家们创造出来一些极富象征意义和风格迥异的电影海报.
Unconstrained by commercial concerns and motivated by one key dictum – ‘let’s do things differently from the West’ – the artists produced richly symbolic and deeply peculiar posters.
在日本，二维条形码不仅被印在海报上，杂志上，而且还印在了T恤，围巾甚至艺术品上。
In Japan, 2-d bar codes appear not only on posters and in magazines but also T-shirts, scarves and even as art.
波兰艺术家MarianStachurski在1959的海报中强调了这部电影的诡异气息。
Polish artist Marian Stachurski, who emphasised the bizarre in her 1959 poster for the film.
它们随处可见：在杂志里、商务名片上、以及T恤衫上，甚至在海报和公告牌上也到处都是它们的身影，更别提现代艺术博物馆(The Museumof Modern Art)里的展览上了。
They're everywhere: tucked away in magazines, adorning business CARDS and t-shirts and splashed across posters and billboards, not to mention on display at The Museum of Modern Art.
CWF的经理，一位名叫Anna Prawinowa的女性决定邀请波兰艺术家们来观看电影并鼓励他们在海报设计上提升一下电影的低级西方趣味。
The director of CWF, a woman named Anna Prawinowa, decided to invite Polish artists to film screenings and encourage them to improve upon the inferior Western efforts in poster design.
其他60年代因弗雷·泽塔艺术作品而出名的电影海报还包括为“狐狸身后”，“勇敢的吸血鬼杀手”和叫做什么“卢阿纳”的电影所创作的那些。
Other 1960s movie posters distinguished by Frazetta's artwork included those for After the Fox, the Fearless Vampire Killers and something called "Luana".
影片海报在视觉上有很强的冲击力，一个凝固的影片中的精彩镜头可以和任何艺术作品的魅力媲美。
Movie posters can be visually stunning, a snap-shot of the movie in one image equally as attractive as any work of art.
正是MAD杂志的封底将弗雷·泽塔带往好莱坞，联合艺术家工作室聘请他为彼得·塞勒斯电影“小猫咪？”创作一幅电影海报。
It was the MAD back cover that brought Frazetta his first commission from Hollywood, when United Artists studios hired him to create a movie poster for the Peter Sellers film "What's New Pussycat?"
而非商业性的海报，内容广泛、情势多样，艺术体现力雄厚。
But the non commercial poster, the content is widespread, the form is diverse, the artistic expression power is rich.
别再贴墙贴了，也绝对不要贴海报。到30岁的时候，你的墙上至少应该有一件喜欢的艺术品。
No more decals; definitely no posters. By the time you're 30, you should have at least one piece of artwork for your walls that you love.
组织视觉传达活动，设计视觉标识，设计制作书籍、艺术书籍、海报、宣传册和报告。
Communication campaigns, visual identity, design and production of books and art books, posters, brochures and reports.
艺术家海报展，中央美术学院，北京。
Artists' Post Exhibition, Fine Arts Center College, Beijing.
真正的机会和海报试生活，也会融入艺术的海报设计成一系列的活动，在里面。
Posters try the real opportunities and life, will be integrated into the art of poster design into a series of activities inside.
校园里的每一张海报、每个抽屉的标签上都是漂亮的艺术字。
Throughout the campus, every poster, every label on every drawer, was beautifully hand calligraphed.
校园里的每一张海报、每个抽屉的标签上都是漂亮的艺术字。
Throughout the campus, every poster, every label on every drawer, was beautifully hand calligraphed.
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