亨利·杰罗姆属于先锋派；他的乐队后来，把波普爵士乐风带入传统的大乐队爵士乐中。
Henry Jerome was part of the avant-garde; his band later brought the bop sound to conventional big-band fare.
戴维斯创立了调式爵士和融合爵士并促成了比波普爵士的诞生。
Davis created modal jazz and fusion, and he helped transform bebop.
50年代比波普爵士乐成为主导，泰特姆继续在全国众多小俱乐部表演跨越式钢琴演奏风格的变奏曲。
As bebop began to take control of jazz in the early 1950s, Tatum continued playing variations of the stride piano style, mostly at small clubs throughout the country.
二十世纪五十年代的比波普派轻视二十世纪四十年代的摇摆音乐派，而他们自己又受到二十世纪六十年代的自由爵士派的抨击。
1940's swing was belittled by beboppers of the 1950's who were themselves attacked by free jazzes of the 1960's.
二十世纪五十年代的比波普派轻视二十世纪四十年代的摇摆音乐派，而他们自己又受到二十世纪六十年代的自由爵士派的抨击。
1940's swing was belittled by beboppers of the 1950's who were themselves attacked by free jazzes of the 1960's.
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