我的最爱,正如我所说,是一处名胜:你要为之排队等待,因为太多的人想要一睹它其中的展品,包括波提切利的那幅维纳斯。
My favourite is, as I say, a cliche: a museum you have to queue for, because so many other people want to see its exhibits, which include Botticelli's Venus.
我们喝着香槟,谈论波提切利的画作《维纳斯的诞生》。
We drank champagne and talked about The Birth Of Venus, painted by Botticelli.
或者您也可到访国家美术馆看一眼波提切利那不可思议的《维纳斯和马尔斯》。
Alternatively, you could visit the National Gallery to see Botticelli's magical Venus and Mars.
一些中型城市——比如巴西的库里提巴和弗洛里亚诺波利斯,墨西哥的托卢卡和梅里达,哥伦比亚的麦德林——正在开启展示比那些大型城市更加活跃的经济。
Some medium-sized cities—such as Curitiba and Florianópolis in Brazil, Toluca and Mérida in Mexico and Medellín in Colombia—are starting to show more dynamism than the urban behemoths.
维纳斯的诞生这幅画同样也是桑德罗·波提切利的作品。
位于法国索菲亚-安提波利斯的艾克森彻研发中心的AMORP项目主管FredrikLinaker,把这一项目比作“物理世界的超链接”。
Fredrik Linaker, head of the AMORP project at Accenture’s research centre in Sofia Antipolis, France, likens the project to “physical-world hyperlinking”.
策划了云城(Cloud City)机器人暴动的残酷成性的EV-9D9(一个LE系列维修机器人,外号为“扳手”)在逃亡过程中偷了一辆云城飞车,在提班诺波利斯(Tibannopolis)寻找安全的地方。
Fleeing a droid revolt on Cloud City engineered by the sadistic EV-9D9, an LE-series repair droid nick-named "Spanner" stole a cloud car and headed for safety at Tibannopolis.
大多数CSS1被敲定在索菲亚-安提波利斯白板在1995年7月伯特仍然是工作的W3C在索菲亚-安提波利斯。
Most of CSS1 was hammered out on a whiteboard in Sophia-Antipolis in July 1995. Bert is still working for W3C in Sophia-Antipolis.
大多数CSS1被敲定在索菲亚-安提波利斯白板在1995年7月伯特仍然是工作的W3C在索菲亚-安提波利斯。
Most of CSS1 was hammered out on a whiteboard in Sophia-Antipolis in July 1995. Bert is still working for W3C in Sophia-Antipolis.
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