汉唐书论在点画形式“意向”的基础上形成了丰富的美学意象和意蕴。
Calligraphy theory in Han Dynasty and Tang Dynasty, on the basis of formal imagery of strokes, formed abundant aesthetic imagery and connotation.
汉唐书论在点画形式“意向”的基础上形成了丰富的美学意象和意蕴。
Calligraphy theory in Han Dynasty and Tang Dynasty, on the basis of formal imagery of strokes, formed abundant aesthetic imagery and connotation.
应用推荐