民俗文化是一项重要的旅游资源，具有巨大的经济和社会价值。
Folk-custom culture is an important tourism resource, and has huge economic and social value.
民俗文化还是整个社会文化的基础，并且具有极强的生命力，上层文化往往是对民间文化选择、改造和精致化的结果。
Folk culture or the culture of the whole community foundation, and has strong vitality, culture is often the top of folk culture selection, adaptation and refinement results.
作为一种广泛存在的社会现象，“民俗”在民间创造和传承过程中具有集体性、传承性、神秘感及地域时代差异。
As a wide-ranging social phenomenon, the folkways create and spread among the people with mystery and difference.
作者认为民俗学者应当站在学术、社会和人文的立场上来对待、研究这一现象。
The author holds that scholars should study these phenomena from different perspectives of academy, society and humanity.
在长期农耕社会中形成和传承的民居及居住民俗，是东方农业文明的载体，它们生动、形象、充分地展示着中国传统文化的丰富内涵。
The traditional folk houses and folklore which formed and inherited in the long farm-cultivated society have been the carrier of the Oriental agricultural civilization.
本文通过对哈萨克族民间文学文本的分析，就其中禁忌民俗对于民族认同和社会整合的作用作一阐述。
This paper discusses the Kazak's folk literature, which analyze ta boo folks in the literatures. The author set forth the taboo folk function of social conformity and nationality identity.
作为西北民俗文化事项的“花儿”具有禁忌与狂欢的文化特征，表现出对社会的调适和整合，体现了文化和社会的互动的关系。
The Flower not only has the Cultural character of Taboo and revelry, but also embodies the function of adjustment and integration, interaction with the society.
阅读四大名著，可以了解中国传统的社会、历史、地理、民俗和处世哲学。
Reading them can acquaint people with traditional Chinese society, history, geography, folk customs and philosophy of life.
文章主要探讨了迟子建的小说和黑土民俗的姻缘关系，并从物质民俗、社会民俗、精神民俗和语言民俗四个方面分析迟子建小说的民俗形态。
The relationship between the folk-custom in black-land and her fictions has been studied, and the folk-custom form in her fictions is analyzed from the four aspects of matter, society, spirit an…
民俗具有社会性、模式性、传承性和变异性。
Folk customs are characterized by sociality, standardization, and variability, whose appearance was rooted in social life.
蒙古族图案美术是蒙古传统民间美术的一部分，它和民俗学，民族学、社会美学有密切的关系。
Mongolian pattern art which is closely related to folklore, ethnology and socio-aesthetics, is a part of the Mongolian traditional folk art.
最后从地域环境、民俗传说、社会文化和民众心理等方面综述形成“乌啼兆凶”这一民俗禁忌的具体原因。
Finally, summarizing this folk custom taboo of "dark to crow, promise fierce" concrete reason from region environment, folk custom legend, social culture and people psychology, etc.
最后从地域环境、民俗传说、社会文化和民众心理等方面综述形成“乌啼兆凶”这一民俗禁忌的具体原因。
Finally, summarizing this folk custom taboo of "dark to crow, promise fierce" concrete reason from region environment, folk custom legend, social culture and people psychology, etc.
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