作为《摩诃婆罗多》中最光辉崇高的英雄，毗湿摩的形象并不是单一平面的。
As the most lofty and glory heroes in Mahabharata, Bhishma is not a single and plane image.
毗湿摩悲剧的实质就是人的超我、自我与本我的斗争，社会的和谐与冲突之间的斗争。
The nature of Bhishma tragedy is the struggle among human's Superego, Id and ego, the fight between social harmony and conflict.
与《荷马史诗》中的阿喀琉斯相比，毗湿摩是一种智慧英雄的典型，他的身上具有独特的美学特征。
The Indian psychological characteristics and value reflected from him. 3> Compared with Achilles in Homer Epic, Bhishma as a wise hero possess the special aesthetic characteristics, (a).
因此，本文从《摩诃婆罗多》中的核心英雄毗湿摩的形象分析入手，探讨隐于其后的精神内涵、文化价值和美学理想。
Therefore, this paper analyses the hero image of Bhishma from Mahabharata and explores the spiritual meaning, cultural value and aesthetic ideas hidden back of him.
吴哥窟是苏耶跋摩二世为供奉印度之神毗湿奴而修建的寺庙，苏耶跋摩于公元1131年至1150年间在位统治。
The temple of Angkor Wat was dedicated to the Hindu god Vishnu by King Suryavarman II, who reigned between 1131 and 1150 AD.
吴哥窟是苏耶跋摩二世为供奉印度之神毗湿奴而修建的寺庙，苏耶跋摩于公元1131年至1150年间在位统治。
The temple of Angkor Wat was dedicated to the Hindu god Vishnu by King Suryavarman II, who reigned between 1131 and 1150 AD.
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