鉴于目前中国话剧表演史研究的匮乏局面，本文尝试对中国现代话剧表演的历史演变，作初步梳理与概括。
In view of the present scarcity in the study of Chinese drama performance history, this thesis is trying to sort out and outline the historical evolution of Chinese drama performance.
本文首先对先验客体的概念进行梳理，概括出其作为统一性本身、统一性的规则与客观性之保障这三重含义。
Hence, this treatise tries to analyze this concept first to summarize three layers of its meaning: the unity, the principle of the unity and the warranty of objective reality.
本文首先对先验客体的概念进行梳理，概括出其作为统一性本身、统一性的规则与客观性之保障这三重含义。
Hence, this treatise tries to analyze this concept first to summarize three layers of its meaning: the unity, the principle of the unity and the warranty of objective reality.
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