作为摄影家1985年去世之后的最大回顾作品展，这次展出所表现的安德烈•柯特兹作品的威慑力将超过之前的任何展览。
The largest retrospective since the photographer’s death in 1985, it reveals like no show has done before the power of Kertész’s work.
参展的许多照片展示了安德烈•柯特兹是如何创作出一种新的视觉语言，“睡男孩”就是这样的一张图片。他手中的照相机就像是一本笔记本。
“Sleeping Boy” is one of many images in the exhibition that show how Kertész, using his camera as a sketch book, created a new visual language.
安德烈•柯特兹回到法国，发现了他年轻时拍摄于布达佩斯和巴黎的珍贵照片以及底片，它们装在几个破旧的箱子里，一直由他法国朋友和经纪人雅克利恩•波仪亚克收藏。
Back in France, he found some old boxes of vintage prints and negatives from his youth in Budapest and Paris that had been kept by his French friend and agent, Jacqueline Paouillac.
安德烈•柯特兹回到法国，发现了他年轻时拍摄于布达佩斯和巴黎的珍贵照片以及底片，它们装在几个破旧的箱子里，一直由他法国朋友和经纪人雅克利恩•波仪亚克收藏。
Back in France, he found some old boxes of vintage prints and negatives from his youth in Budapest and Paris that had been kept by his French friend and agent, Jacqueline Paouillac.
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