在某种程度上来说，自由回想就意味着一种抓住故事精髓的理想方式：对故事形式充分了解，以此来决定讲述的方式。
It means, rather, a perfect grasp of the gist of the story, with sufficient familiarity with its form to determine the manner of its telling.
南美索不达米亚地区的每种文明中，都有某种形式的大洪水的神话故事。
Nearly every civilization living in southern Mesopotamia has told some form of the flood myth.
我得到的反应是，所有中国人或者华裔美国人没有一个不是从小在这个故事的耳濡目染中长大的，都接触到它的某种形式的演绎。
The response I got was that there is not a Chinese or a Chinese-American that has not grown up and had some contact with this piece in some form.
看到以某种艺术形式展示的故事的次数越多，人们就越觉得这个故事必须以那种方式来表达。
The more often people see a story represented a certain way in art, the more they expect to see it be represented that way in the future.
看到以某种艺术形式展示的故事的次数越多，人们就越觉得这个故事必须以那种方式来表达。
The more often people see a story represented a certain way in art, the more they expect to see it be represented that way in the future.
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