通过多种材料技法的结合来表达艺术家的情感，充分体现材质美。
The combination of materials with skills can surely express artists 'emotions and realize fully the aesthetic value in texture of materials.
所有这些成果对于推动中国油画材料技法理论与实践研究作出了贡献。
All these results for push Chinese oil painting material skill legal theory theory and practice the research made the contribution.
本文就是从两个实验性的复原临摹入手，来探讨法海寺壁画材料技法运用的奥妙。
In this paper, two experimental copy of the recovery and try to explore Fahai Temple murals using techniques and the secret material.
然后着重分析现代水彩画多元化趋向的主要艺术表现形式：水彩绘画的材料技法、形式风格、与其它绘画形式交互作用。
Then analyzes the modern watercolor painting multiplication trend emphatically the main art manifestation: water color drawing material technique, form style, and other drawing form correlations.
而版画材料、版画技法的综合与融会，则是当代版画刷新视觉形态、拓展表现空间的重要途径。
The integration and blending of materials and skills of print mean the key approaches to upgrading of visual form and to enlarging of expressive space of the contemporary print.
本文以藏传佛教艺术中最主要的绘画形式——“唐卡”的技法材料为主要研究对象，同时也必不可少地涉及到其艺术表现形式和审美意蕴。
In Tibetan Buddhism, the main art form of painting--thang khatechniques and materials for the main study, but also essential to involve the art form and aesthetic subjects.
本章的第四节讲述了新材料和新技法完美结合的岩彩画。
The last of this part is mainly about rock painting, in which new material and new techniques are perfectly united.
当代雕塑吸收了装置的语言和材料观念，尤其是观念艺术的核心思想，即艺术观念高于技法和媒体本体性。
Contemporary sculpture absorbed languages and material concepts of installations, especially core thinking of conceptual art, that is, art concepts were above techniques and media themselves.
第三部分从艺术思想、审美趣味、材料、技法和画家风格五个方面重点剖析了在当代工笔画坛中产生肌理制作之风的原因；
The third part analyzes the reason of texture attracting so many eyes from the artistic thought, the esthetic manner, the material, the technique and the styles of painter.
第三部分，论述了中国现代工笔肖像画技法与材料运用的新拓展。
The third part, elaborated the Chinese modern exquisite brush portrait technique and the material utilization new development.
介绍和研究了热贡唐卡制作所使用的材料及其常用技法。
Introduced and has studied the material which and its commonly used technique the Regong Tang Ka manufacture used.
从缸瓶胎泥料、缸体手工成型技法、堆花（贴花）、釉色风格、烧成条件与材料等五个方面论述了古均陶用原料及其工艺特点。
This paper explores the technical characteristics of ancient Junware in Yixing by analyzing its body batch fabrication methods, applique decorations, glazes, firing conditions and materials.
并从创作思想的创造性、技法的丰富性、材料运用的多元性等几个方面，探讨现代壁画创作在继承传统的同时应体现当代性。
The study goes on mainly from three aspects: the creativity of fresco creation, the abundance of skills, and the variety of using materials.
每个画种现有的一些技法和材料显得不能满足现代美术创作的需要。
Some existing techniques and the material of every kind of painting cannot meet the modern fine arts creation needs.
纤维艺术是运用各种表现技法对纺织材料进行艺术再创作的过程。
Fiber art is an artistic process of recreating fiber materials utilizing various kinds of techniques of expression.
目前油画系设有四个画室和研究生部以及技法材料工作室，进行画室制教学。
Currentiy under the Oil Paintinq Department there are 4 studios, a graduate section and a studio of techniques and materials in the Oil Painting Department, and teaching is studio-based.
他把吹制玻璃的技法运用得出神入化，能精巧控制玻璃材料，把雕塑艺术之美不断推向新的极致，简直可让玻璃作品舞动起来。
A craftsman with a contemporary blow, his intricate control of the material has pushed the beauty of glass sculpturing to new limits; he literally makes glass dance.
为了表现真正的美，艺术家锲而不舍地钻研油画语言，深入且有系统地了解颜色、构图、技法、光影、透视法、材料等方面。
To unveil genuine beauty, Yan set out his exhaustive, methodical inquisition into the language of oils as represented by color, composition, dexterity, light and shadow, perspective, and materials.
在中国画创作的题材和表现技法及对中国画材料的难度把握上达到新的水平，受到美术理论界的关注和好评。
His new level in the themes and expression ways of Chinese painting has drawn much concern ans high opinoins from the art circle.
绘画技法材料的单一性是局囿艺术创作的一大因素。
The uniqueness of painting material and its technical application is one of the important factors of the artistic creation.
绘画技法材料的单一性是局囿艺术创作的一大因素。
The uniqueness of painting material and its technical application is one of the important factors of the artistic creation.
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