如果本体是相互竞争的自我的集合，其中的每一个都代表什么呢？
If identity is a collection of competing selves, what does each of them represent?
他们把自己的社会面具当成了自己的本体，在迎合传统的男子汉行为规范中毁掉着自我。
They have confused their social masks for their essence and they are destroying themselves while fulfilling the traditional definitions of masculine-appropriate behavior.
不过它第一次让人的心智脱离了本体，并将心智与其他种种对立起来，这不是让它迷失自我而是向它展现清楚所有的人都曾踏上的迷途。
But for the first time it makes the mind get outside of itself and places it in opposition to others, not for it to get lost but to show it clearly the blind path that all have entered upon.
其次，论述了唐先生的道德自我观念的出发点、根源，接着论证了心之本体的存在，揭示了心之本体的本质和表现，指出了道德自我的进路；
Then we discuss the start and foundation of Moral Self, demonstrate the existence of the noumenon of mind, and indicate the route of Moral Self to improve itself.
西方近代哲学是从对自我对主体的反省开始的，哲学由此从本体论转向了认识论。
Western modern philosophy began with self-reflection on ego or subject, and then philosophy changed from ontology to epistemology.
本体论的主体间性关涉到自我与世界的关系，这种关系是主体与主体之间的共在关系。
Ontological inter-subjectivity concerns the relationship between oneself and the world, which is a Mit-Dasein of different subjects.
理解的本体论性质意味着阐释主体的自我理解。
The ontological character of literary understanding signifies self-understanding of interpretive subject.
此有两重点：重点之一在掌握自我以掌握宇宙本体，掌握宇宙本体以掌握自我；
There are two stresses in doing this: one is to capture the universe itself by capturing the self and capture the self by capturing universe itself;
当动画的本体在差异与重复中不断的构建，动画的传统意义也在以一种整体有机体的方式进行了自我的封闭。
When the animation of the body in the difference and repetition of the constant construction, the traditional meaning of the animation is also a way of the whole organism in a closed.
洛克的精神哲学理论通常被视为是现代主义中“本体”以及自我理论的奠基者，也影响了后来大卫·休谟、让·雅各·卢梭、与伊曼努尔·康德等人的著作。
Locke's theory of mind is often cited as the origin of modern conceptions of identity and the self, figuring prominently in the work of later philosophers such as Hume, Rousseau, and Kant.
作者希望通过对绘画本体的关注引发对于绘画本质的自我思考。
The author wishes to arouse the reflection on the essence of painting through the concern about the painting substance.
对生命形态的追诉，是审美文化自我颠覆的内在动力，由此可见生命形态对于审美文化的本体论意义。
The search for higher life state is the internal force of self-subversion. Here is revealed the ontological significance of life state to aesthetic culture.
在死亡真正发生时，思考的自我心，会消逝而进入本体之内。在此真相之中，觉悟就发生了。
For at the actual moment of death, the thinking ego-mind dies into the essence, and in this truth, enlightenment takes place.
在王光乐的创作中，透着一种苦行僧般的自我参悟的精神，回归到对本体身份的思考，渗透着一种禅意。
An ascetic self-reflection has permeated Wang Guangle's art practice and his works renews the thoughts, in the way of Buddhist mediation, on the objects themselves.
在真实社会中，到处充满了不同个人或不同利益集团站在自我本体立场上，为充分实现自我主观判断的利益最大化而展开寻求纳什均衡的博弈。
In society, theres full of diverse individuals or entities attend the game of Nash Balance in looking forward to maximize their benefits by their subjective judgment.
在真实社会中，到处充满了不同个人或不同利益集团站在自我本体立场上，为充分实现自我主观判断的利益最大化而展开寻求纳什均衡的博弈。
In society, theres full of diverse individuals or entities attend the game of Nash Balance in looking forward to maximize their benefits by their subjective judgment.
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