同时，皱褶在传统及现代服装中又体现出不同的服装审美观。
It also embodies the different aesthetic concepts of both traditional and modern costume.
皱褶是构成服装的必要因素，是服装实用性和美观性的结合；同时，皱褶在传统及现代服装中又体现出不同的服装审美观。
Pleat, as an essentially constitutional factor of costume, is a combination of function and beauty. It also embodies the different aesthetic concepts of both traditional and modern costume.
该部的一位发言人说：“我们的目的是使服装行业推崇的审美标准更贴近西班牙社会的实际情况。”
"The aim is to get the aesthetic ideals proposed by the fashion world to be closer to the reality of Spanish society," a spokesman said.
抓住时代的审美共性是对设计师的要求，抓住时代审美共性也就抓住了服装的流行。
Seize the time in common is the designer's demand, seize the time in common is also grasp the popular of the clothing.
她对服装有很好的审美眼光。 。
她对服装有很好的审美眼光。
第二章，运用心理学和美学原理对服装消费审美心理机制进行了深入剖析，并对主要影响因素做了详细分析。
The second chapter deeply analyses the mechanism of garment consuming esthetic psychology with the theory of esthetics and psychology, and the main effect factors in detail.
服装对于人们不仅具有使用价值，同时还具有相当的审美价值。
Costume is provided with the use value and the aesthetic value for people.
虽然顾客们对尺寸、价格和适用年龄段的的审美需求各不相同，但每个人都想要买到一件时髦的服装。
Customers' aesthetic requirements differ with every size, price, and age range, but everyone is looking for a stylish garment.
审美性：厂服的审美性由服装的精神性这一共性抉择，要能够符合审美标准。
Aesthetic: the aesthetic nature of the factory service by the spirit of the clothing of this common choice, to be able to meet the aesthetic standards.
图案的形式随服装的功能而富有变化，工艺技巧则体现了蒙古民族的审美观念。
The pattern forms vary with the functions of the clothes and their techniques reflect the aesthetic view of Mongolian people.
未来服装设计的国防部均约期待着，拒绝过去的规则和作用，并普遍主张一种新的审美的年轻妇女特别。
The futuristic designs of mod clothing were all about looking forward, rejecting past rules and roles, and generally asserting a new kind of aesthetic for young women in particular.
根据人体审美标准，提出服装设计应依照着装者个人体型差异进行，应从服装款式、色彩和图案、结构和材料以及饰物几个方面着手，弥补形体缺陷，创造出人体美。
According to aesthetic standard in human body, the paper points out that designing dress must be based on the different bodily forms of dressers.
音乐艺术和服装艺术作为两种不同表现形式的艺术，在审美上却有很多相同之处，文章主要从审美过程来探讨两者的审美共性。
As two different arts, music and costume have a lot in common in terms of aesthetic aspect. The purpose of the essay is to find the aesthetic commonness between music and costume.
审美素质是一个服装设计者必须具备的素质，它贯穿于服装设计的整个过程。
Aesthetic quality is necessary to a clothing designer. It permeates the whole course of clothing design.
服装演绎着生活方式、生活态度及多姿多彩的绚丽人生，而服装设计则通过视觉传递着文化、审美、社会角色等各种各样的信息。
Dress deduces life style, life attitudes and bright and colorful life. The design of dress delivers varieties of information of culture, aesthetics and social roles through vision.
本文从市场、教学、工业技术三个方面论述了如何把服装的艺术审美性与服装的实用价值更好地结合应用。
This paper expounds how to integrate the practicability and the artistry of fashion in three aspects:market, training and crafts.
从审美和视觉营销的角度对服装商品陈列的色彩效果进行分析。
Secondly, the thesis probed into the color representation skills and color combination modes in clothing display design.
丽盾认为服装是一种跨文化语言，集舒适性。方便性。功能性与审美性于一体。可经常性的组合搭配。并能适应早晚和四季。
Li shield that clothing is a cross-cultural language, set comfort. Convenience. Functionality and aesthetics in one. Can mix and match regular. And can adapt sooner or later and the four seasons.
文章研究了下肢带的构造及运动特点，提出了适合下肢带构造和运动特点的纸样设计理论和方法，以使服装既有审美性，又具有良好的运动性。
The structure and the motility characteristic of the lower limbs are researched in this paper with theory and method of its pattern design expounded.
时装画是为了服装的设计、制作和推介而创作的具有审美价值的绘画样式。
Fashion picture is a painting code with aesthetic value created for design, production and popularization.
在服装设计中运用肌理的关键在于必须使材料的表面肌理形式与服装风格、审美观念及时代特征相适应。
In fashion design is the key to the use of texture to the surface texture of the material forms and styles of dress, bearing in mind the aesthetic characteristics of The Times to adapt.
在服装设计中运用肌理的关键在于必须使材料的表面肌理形式与服装风格、审美观念及时代特征相适应。
In fashion design is the key to the use of texture to the surface texture of the material forms and styles of dress, bearing in mind the aesthetic characteristics of The Times to adapt.
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