立陶宛爱乐交响乐团演奏了贝多芬的《第九交响曲》。
The Lithuanian Philharmonic Orchestra played Beethoven's Ninth Symphony.
马尔科姆想要在开头部分加入一段奏鸣曲，然后加上几个小节的贝多芬作品，然后再回到巴赫的作品。
Malcolm wanted to mix the beginning of a sonata, then add Beethoven for a few measures, then go back to Bach.
音乐受主音的影响，在贝多芬的第五交响曲中，我们还没有找到主音。
Music gravitates around a home pitch and in the Beethoven Fifth symphony we still haven't gotten the home pitch.
第五交响曲在贝多芬的其他许多音乐形式中使用。
The Fifth Symphony was used in many other music forms by Beethoven.
贝多芬的第九交响曲是壮丽的音乐篇章。
她强硬要控制文化方面的事业，喜欢贝多芬的第六交响曲，不喜欢雷斯庇基的《罗马的松树》。
She exerted an iron hold on the culture, preferring Beethoven's Sixth Symphony to his triumphalist Fifth, disliking Respighi's "Pines of Rome".
这首乐章是贝多芬《第七号交响曲》中最受欢迎的。
This movement is the most popular of Beethoven's Symphony No. 7.
《暴风》与《冰封王座》能与贝多芬的《第五交响曲》、米开朗基罗的《圣母怜子图》、海明威的《永别了，武器》相比？
How can TEMPEST or MISSILE COMMAND compare with Beethoven's Fifth Symphony, Michelangelo's Pieta, or Hemingway's a Farewell To Arms?
其中最受欢迎的是赛谬尔·巴伯的弦乐合奏曲《柔板》、贝多芬第九交响曲的第二乐章和德彪西的浪漫曲。
The most popular were Barber's Adagio for Strings, the second movement of Beethoven's Ninth Symphony and Debussy's Claire DE Lune.
无论哪里，如果我将第九交响曲的，节奏单挑出来，你就会发现贝多芬这里，仅仅是一个个升或降的音阶，这是级进的典型例子？
Whereas the — if I take the rhythm out of the Ninth Symphony really Beethoven there is just going up and down a scale so it's very conjunct.
现在我们拿它来对比下,贝多芬第五交响曲的第二乐章,这部分有长时间抒情的流畅主题,开始
Now let's contrast that with what happens in the second movement of Beethoven's Fifth Symphony where we have a lyrical, long, flowing theme. Okay?
最后，但并非最不重要的，有贝多芬的第九交响曲。
贝多芬的第五交响曲的走向是哪里呢？
What's the direction generally of Beethoven's Fifth Symphony?
她强硬要控制文化方面的事业，喜欢贝多芬的第六交响曲，不喜欢雷斯庇基（意大利作曲家）的《罗马的松树》，即使她发现不仅仅是关于松树的。
She exerted an iron hold on the culture, preferring Beethoven's Sixth Symphony to his triumphalist Fifth, disliking Respighi's "Pines of Rome" when she found it was not just about pine trees.
让我们现在来听一点贝多芬，他的第六交响曲，田园交响曲。
Let's turn to a piece of Beethoven now, his Symphony number Six, the Pastoral Symphony.
我正在找贝多芬第六交响曲的唱片。
海顿，莫扎特和贝多芬都为这些房间作过舞曲，1814年贝多芬的第七交响曲在这里获得了首演(福塞斯，1985)。
Haydn, Mozart, and Beethoven composed dances for these rooms, and Beethoven's Seventh Symphony was first performed here in 1814 (Forsyth, 1985).
贝多芬创作的五部大提琴与钢琴奏鸣曲代表了其一生创作的三个精华阶段。
Beethoven's five sonatas for cello and piano represent his three major creative periods.
吴女士提到1808年贝多芬在几乎失聪的状况下创作了一系列优秀的作品。在那时，贝多芬完成了这部奏鸣曲。
Ms. Wu mentioned Beethoven’s impressive list of accomplishments by 1808, when — almost deaf — he completed this sonata.
以前，我们聆听贝多芬《第五交响曲》的每一个音符。
Once, we listened to every note of Beethoven's Fifth Symphony.
第八：《第二乐章》，出自贝多芬的《第七号交响曲》。
贝多芬《第七号交响曲》中的《第二乐章》或者叫《葬礼进行曲》，是一首非常难忘的作品。
The second movement, or Funeral March, of Beethoven's Symphony No. 7 is an extremely memorable piece.
第四乐章有贝多芬第九交响曲的味道。
The fourth movement has a flavor of the final movement in Beethoven's 9th Symphony.
同年，在纽约市政厅的独奏会首度上演，节目包括贝多芬大型奏鸣曲（A调Op.
That same year she had her New York recital debut at Town Hall. Her program, which included Beethoven’s large Sonata in A flat (Op.
我们建议开始试用此法的音乐套装为：巴赫的《无伴奏大提琴组曲》6首；贝多芬d大调小提琴协奏曲；勃拉姆斯d大调小提琴协奏曲，作品77号；以及莫扎特第35 ~41号交响曲。
We suggest this starter kit: Bach's six unaccompanied cello suites; Beethoven's Concerto for Violin in d; Brahms's Violin Concerto in d, op. 77; and Mozart's symphonies 35 through 41.
当时，这位指挥大师对席勒的诗歌《欢乐颂》（有认为贝多芬为这首诗谱了曲）作了艺术性的再创作，他改动了一个词，将大合唱和独唱的“Freude”——欢乐一词——改为了“freiheit”——自由一词。
For the occasion, the maestro took some artistic liberty with the text of Schiller’s poem, “Ode to Joy.” He changed one word.
当时，这位指挥大师对席勒的诗歌《欢乐颂》（有认为贝多芬为这首诗谱了曲）作了艺术性的再创作，他改动了一个词，将大合唱和独唱的“Freude”——欢乐一词——改为了“freiheit”——自由一词。
For the occasion, the maestro took some artistic liberty with the text of Schiller’s poem, “Ode to Joy.” He changed one word.
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