明清小说中存在着大量的妒妇形象。
There were massive jealous women images in the novels of Ming and Qing Dynasties.
文言梦幻小说是明清小说的重要组成部分。
The classical dreamlike novel is an important part of the Ming and Qing novels.
明清小说有两种基本的生命类型：一德性生命，一气性生命。
This paper reveals, there are two basic life patterns in the novels of Ming and Qing: the moral life, and the temperamental life.
明清小说中女性的现实复仇行为展现了女性反礼教行为的独特魅力。
These women's factual revenge in the fictions of the Ming and Qing Dynasties showed the unique glamour in this kind of anti-traditional behavior of women.
在教学实践的基础上，从四个方面提出了对明清小说教学的一些思考。
Based on teaching practice, the paper puts forward several reflections about the teaching of novels of the Ming and Qing Dynasties.
有的著录神怪故事，或荒诞不羁，或影射现实，为明清小说的创作提供了大量选材。
And some depict stories about gods and spirits which are absurd or project reality providing a lot of materials for the creation of the novels of the Ming and the Qing dynasties.
援引谶纬进行创作已经成为明清小说的创作手段，体现出明清时代谶纬文化兴盛的状态。
A mass phenomenon of Chenwei used in the Ming and Qing novels shows temporal prosperity of the culture of Chenwei.
作者通过对明清小说中家庭女性地位的研究，认为在男性多偶家庭中，妻、妾、婢的地位高低有别。
In polygynous families in the Novels of Ming and Qing Dynasties, the positions of wife, concubine and servant girls were different.
明清小说全面展现了当时的社会生活和文化旨趣，是我们了解当时社会状态和时代风尚的“百科全书”。
The Ming and Qing novels fully show the purport of social life and cultural as encyclopedia so that we understand the social status and the fashion of that era.
从上古神话到全面成熟的明清小说，伴随着民族文化的历史进程与小说审美素质的渐次提高，小说人物形象逐渐由幼稚走向成熟。
From the ancient myths to the mature Ming and Qing novels, the novel characters gradually move to maturity with the historical advance of folk culture and the improved level of aesthetic quality.
从上古神话到全面成熟的明清小说，伴随着民族文化的历史进程与小说审美素质的渐次提高，小说人物形象逐渐由幼稚走向成熟。
From the ancient myths to the mature Ming and Qing novels, the novel characters gradually move to maturity with the historical advance of folk culture and the improved level of aesthetic quality.
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