新历史小说有其艺术贡献，也有其缺陷。
The new historical novel has its artistic contribution and drawbacks.
这样，外部世界也得以与新历史小说的精神相对接。
The outside world, therefore, is connected with the thrust of the New-history Novels.
新历史小说一度狂飙突起，构成当代最重要的文学景观之一。
New historical novel once broke out like hurricane and constituted as one of the most important contemporary literary landscapes.
“新历史小说”作家真实地反映历史，而不作简单的价值评判。
The new history-novel writers really reflect the history and don't simply make a value judgement.
“新历史小说”力求保持历史的原生态，而不再成为教科书的知识补注。
The new historical novels try to keep the truth of history as possible as they can no longer to be the supplements and notes of the knowledge to the textbooks.
非历史主义的态度和陈旧的历史观念在某种程度上遏制了新历史小说的生命力。
However, the non - historical attitude and the old historical concept restrain their vitality on some degree.
和其他“新历史小说”家的作品相比，苏童的“新历史小说”具有自己的特点和魅力。
To compare with the works of the other "New Historical Novel" authors, Su Tong's "New Historical Novel" had its own character and charm.
自20世纪80年代中期以来，中国文坛出现了一大批与传统历史小说风格迥异的“新历史小说”。
Since the middle of the 80's in the 20th century, a lot of New Historical Novels that are so different from the traditional historical novels appear in the literary arena of China.
在西方新历史主义思潮背景下出现的新历史小说创作潮流中，创作者对于叙事策略的重视得到了强化。
It can be detected by analyzing the historical spirit of new historicism and new historical novels that they differ from each other to a great extent in this respect .
莫言的中篇小说《红高粱》既被视为“寻根文学”的终结，也被视为“新历史小说”的重要起源和代表作品。
His nouvelle Red Broomcorn have been looked as the ending of "seeking root literature", as well as vital origin and magnum opus of "neo-historical novel".
从这一意义出发，新历史小说应该说是当代女性作家淋漓尽致地书写自我和表达当下的女性主义意识的最佳空间。
Therefore, proceeding from this meaning, new historical novels would be the best position for contemporary feminine authors to thoroughly write and express the contemporary ideas on feminism.
追踪历史的新历史小说把语言学中能指与所指的延宕关系移入到历史叙事领域，否认了叙事再现历史真相的可能；
The Tracing Historical Novel shifts the deferment in linguistics into the historical narrative pattern, denying the possibility of reappearance of history.
第四章，新历史小说表现什么，如何表现，始终是有规律可循的，文体上的共同规律反映了创作者的某些共同的精神特征。
Finally, what and how the New-history Novels try to express follows some regulations because common rules in literary forms reflect some common thrust features of creators.
新历史小说的张力化“问题”的揭示，彰显了新历史小说最终身处的悖逆处境，进而使对新历史小说确切的价值评价得以可能。
We show a contradictory fact of new historical novel by the discovery of the new historical novel's tensility, and try to carry out a precise assessment of the value for new historical novels.
新历史小说的张力化“问题”的揭示，彰显了新历史小说最终身处的悖逆处境，进而使对新历史小说确切的价值评价得以可能。
We show a contradictory fact of new historical novel by the discovery of the new historical novel's tensility, and try to carry out a precise assessment of the value for new historical novels.
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