这是一种遗传性疾病的文章作品。
他读了许多详细评论她的作品的文章。
哲学家大卫·休谟在1757年的一篇文章中谈到，因为人类的审美具有共同性，所以一些艺术作品的价值可能是永恒的。
In a 1757 essay, the philosopher David Hume argued that because "the general principles of taste are uniform in human nature", the value of some works of art might be essentially permanent.
六个月前，你在当地报纸上读了一则关于他们工作室作品的文章。
Six months ago, you read an article in the local paper of one of their workshop productions.
在2007年《曼谷邮报》的一篇文章中，韦拉斯哈古写道，“作为一个导演，我把我的作品视为自己的儿子或女儿。”
In a 2007 Bangkok Post article, Weeresathakul stated, 'I, as a filmmaker, treat my works as I do my own sons or daughters.
这使得读者可以公开地对作者的作品附加自己的观点。但同时，这意味着读者也承担了维护文章关注焦点和阅读导向的责任。
This allows the reader to publicly inject opinion into the original author's work, a task that comes with a burdening responsibility to maintain the agenda and flow of the article.
但信件形式不一而足：一部分书信仅仅是抱怨地址的变迁导致他们没能收到订阅的期刊或作品；另一部分是对近期文章的个人回应。
Some are as simple as an inmate complaining about not receiving his subscription or writing with a change of address. Others are personal reflections on a recent article.
自从1994年去世之后，布可夫斯基的生平和作品就成了许多评论性文章和著作的议题。
Since his death in 1994, Bukowski has been the subject of a number of critical articles and books about both his life and writings.
这种观点在欧洲大陆是毋庸置疑的，特别是在比利时和法国，在这两个国家里，连环画作品是为文学批评的文章所评论并且在学术论文中被剖析的。
That is an uncontroversial view in continental Europe, especially in Belgium and France, where cartoon strips are reviewed in critical essays and dissected in academic thesis.
他的履历囊括了20本书、130篇文章，19册编辑合著的作品。
His curriculum vitae counts 20 books and 130 articles, plus another 19 volumes that he edited or co-authored.
出版商蒂姆·欧瑞利在他的一篇很有远见卓识的文章中谈到盗版是“累进税制”。 “作品能被广泛盗版，应该是一个很了不起的成就。”
As publisher Tim O’Reilly wrote in his seminal essay, “Piracy isProgressive Taxation, ” “being well-enough known to be pirated [is] a crowningachievement.”
例如，电影导演赛尔乔·莱翁和作曲家埃尼奥·莫里康内合作的电影《美国往事》，一部画面与音乐完美融合的作品（参见下列文章1、2)。
The filmmaker Sergio Leone and the composer Ennio Morricone, for instance, did one of the most fertile associations (see the following articles here and here).
它说的是一个好的问答节目主持人在采访一位作家的时候，可能并没有读过他的作品，然而他却会去读一些评论文章。
A good talk show host will interview a writer without reading his books.
1826年，他在博物学社宣读了一篇有关海船蛀虫的文章，这是该领域中他第一篇为人所知的作品。
In 1826 he read a paper on sea-worms to the Natural History Society. This paper was his first known work on this subject.
另一个计策是让科学家们自己来完成这项工作，毕竟他们应该最清楚哪一篇文章是他们全部作品中的一篇。
Another strategy is to let scientists themselves take care of the job — after all, they should know which papers are part of their oeuvre.
塞林格在过去的年月里告诉我，他花费了“漫长而疯狂的时间”写他的作品，并试图远离一切描写他的文章。
Over the years, Salinger told me about working “long and crazy hours” at his writing and trying to stay away from everything that was written about him.
除了他的文章外，我通过观察，通过他的广告位置，通过他的作品更新的频率，以及通过一千个读者从未注意过的其他细节来学习。
More than through his words, I've learned from observation; from the locations of his ads, the frequency of his posts, and a thousand other details the casual reader would never notice.
他还补充说，这家公司雇用职业写手和学者来为客户写文章，并采用技术来保证所有写手提交的都是原创作品，不会抄袭他人。
He added that the company hires professional writers and academics to write for clients and that it USES technology to make sure all writers are turning in original work and not plagiarizing anyone.
关于写作：我过去担心文章的结构、语态、格式、简洁度、语法、进展、工具、读最好作家的作品、雪花式写法、编辑问题，甚或更多。
About writing: I worried about structure and voice and style and terseness and grammar and schedules and tools and reading the best authors and the snowflake method and editing and much more.
在出版时，吉姆jubak做对了在他的个人作品专栏文章中提到任何公司不得拥有或控制的股份。
At the time of publication, Jim Jubak did not own or control shares of any company mentioned in this column in his personal portfolio.
文章分析了他的设计思想并介绍了他的四个重要作品。
The article analysis Eckbo's design thoughts and introduces his four key works.
出自于他自己笔下的这个作品几乎就是一段接着一段的对Time文章的恶搞。
Written by the man himself, it is a near paragraph-by-paragraph parody of the Time piece.
不要错过下面的文章(还有max向margaux甜蜜的求婚故事)，点击这里附赠大量图片，这里是max的作品，还有这里是他的博客。
Don't miss the full post below (including the sweet story of how Max proposed to margaux), tons of additional images here, and more of Max's work here, and on his blog here.
我写下这一文章的目的便是要从理论“奥地利范式”的角度告诉大家这一切为何会发生，为了证实我的观点，我会在需要的时候引述Rothbard作品第五版的内容。
The objective of this article is to present an Austrian argument as to why this must happen; to substantiate my arguments, I will be quoting Rothbard's Fifth Edition where relevant.
我写下这一文章的目的便是要从理论“奥地利范式”的角度告诉大家这一切为何会发生，为了证实我的观点，我会在需要的时候引述Rothbard作品第五版的内容。
The objective of this article is to present an Austrian argument as to why this must happen; to substantiate my arguments, I will be quoting Rothbard's Fifth Edition where relevant.
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